Still Woozy, the artist alias of Sven Gamsky, has dropped a groovy new track “Window." Opening with a sample from Marvin Gaye, Sven ventures into soul territory, while the sample of a squeaky mattress spring rings true to his indie garage-pop sound. His voice is recognizable in its airiness as he speaks of a relationship that is being kept on the low, “If I got one thing right it was you and me / But I go in through the window so nobody sees.” This track perfectly captures how flings are all fun and games until lust turns to love. As the song fades, it leaves you wondering if it’s more than just one-sided.

Dirty Projectors deliver a mesmerizing aria with the release of "Search for Life." This song could complement a tableau of rolling fields and wildflowers just as easily as it could fit into the soundtrack for The Graduate. Featuring vocals from guitarist Maia Friedman, the indie production on the track falls right in line with DP's previous work. Their vocal processing and indie instrumentation communicate a sense of adventure and a quest for understanding. The group does a fantastic job evoking some of the current feelings folks are having with lines like, "All over are the days / When we wandered through the world." "Search for Life" is off their four-track project Windows Open which came out in March 2020.

When Phoebe Bridgers released “Kyoto” she told us the track is about imposter syndrome or the feeling that she’s living someone else’s life. Instead of taking the speed train or appreciating her visit to a temple during her first visit to Japan with her bandmates, she instead finds herself spending time at 7-11 and having an unpleasant, expensive conversation with someone from her past whom she can’t seem to shake. In classic Bridgers fashion, the lyrics of “Kyoto” document complex emotions like ennui, resentment, and anger through commonplace images. In one of the most memorable lines of the song, she “drives out to the suburbs to park at the Goodwill and stare at the chemtrails with [her] little brother,” and the drabness of the concrete makes her love for her sibling all the sweeter. And for a song about psychological dissociation, the instrumentation is remarkably upbeat and even triumphant, making the song all the more versatile: listen to the lyrics if you need to be in your feelings, or focus on the bright trumpet solo if you need to get pumped for your day.

Quiet power and gentle ferocity—these are the reigning forces in the soundscape of "QADIR," the first release off of Nick Hakim’s upcoming LP, Will This Make Me Good. In addition to being the first release, "QADIR" was also the first song that Hakim wrote for the record. It’s an homage to his late friend who passed away in 2018 and for whom the track is named. Hakim conjures a sacred spirituality on this track by retaining a delicate balance between a heavy bass over a lightly driving beat, replete with acoustic percussion, and a haunting flute weaving in and out of a wide keyboard sound that holds down rich harmonies. Above all this, in a realm all its own, Hakim’s echoing vocals gently whisper truths in the manner of a prophet: “There seems to be a complexity to being kind / to your space to your temple / to your neighbors / who’ve seen the changes / We all feel change / Some of us wear masks / To hide the pain.” He is calling upon us to choose kindness and community. Surrounded by haunting background vocals on the chorus, Hakim draws us into an ethereal world that finally comes together in a mess of phantasmic voices, calling us from every side before fading slowly out into nothingness.

Paging everyone in pop music: if you don’t know singer/songwriter and escapist Syd Silvair yet, you will feel her enchantment soon. As a skilled tarot reader by day, Silvair is endlessly inspired by the deck. On her latest single, “The Moth,” she conjures up a world of swirling disco and art-pop while reflecting on the aspects of The Magician tarot. “I find that my own feminine nature tends to attract people who are looking to take advantage of it,” mentions Silvair, “I’ve connected deeply with The Magician tarot card in an effort to take the power back, to nurture on my own terms.” And keep her power she will, as “The Moth” is Silvair’s own omen of empowerment to remind us that for every bit of tenderness there is an equally potent fierceness. Inspired by the feminine mysticism of Stevie Nicks, her songwriting is unsparing, bold and centered. Silvair’s velvety voice calls out messages of the rich visuals that inspire her, shimmering atop lush and groovy rhythms. Her melodies are undeniably catchy, like a golden spell. Syd Silvair invites you to step into her sphere as her upcoming tarot-inspired EP Reverie makes its way into our realm and emboldens our inner realities with the spirit of her music.

Genevieve Stokes’s newest single “Running Away” is a dreamy rumination on the intensity of new love. The singer-songwriter’s dynamic crooning vocals cut through the simple production of piano and sparse harmonies as she sings, “couldn’t see you coming / I was always running away / you hit me out of nowhere / will you stay?” Stokes explores the uncertainty of young love and how terrifying admitting your feelings can be. Drawing from her longtime inspiration Regina Spektor, the 18-year-old from Portland, Maine perfectly expresses the emotional turmoil of adolescence without falling into melodrama. She details the continuous loss of innocence as we grow older with precision, “And I'm nothin' but the things that I tell myself / Lie and think I'm / special just like everybody else / But somethin' in the water has been tempting me.” “Running Away” is the newest single off of Stokes’s upcoming debut EP out this summer.