The majority of new music that has been released during quarantine has felt urgent and introspective—often forcing us to face uncomfortable sides of ourselves. However, California artist Lillian Frances has us looking outwards. Her debut album, Moonrise Queendom, is a joy to listen to and puts her among a group of exciting new artists to follow.

On "Pídelo," Frances invites us to look at the moon. She describes a bright summer night, which she’s in awe of—enticing us to join her skywatching. As her lyrics discretely shift to Spanish, she asks us to listen to gossiping stars, "Las estrellas son cotillas, escucha!" Her reverence for the moon and stars is contagious and vibrant with childlike wonder. And yet for a song that wanders through the night sky, "Pídelo" seems to have plenty of sunshine. A self-described "sonic collage," Frances weaves together electronic textures and rhythms with a warped playfulness that brings to mind recent Dirty Projectors.

Lillian Frances brings the same kind of fun, colorful energy to electro-pop that Sylvan Esso did in 2014. It is no surprise that six years ago, while attending a Sylvan Esso concert in L.A, she described what she was thinking on her Facebook page, “that is what I am going to do.” And so she did, and even more impressively, she managed to make her own sound along the way.

Tender on the ears lyrically and instrumentally, James Blake’s newest single in over a year “You’re Too Precious” touches on the inevitable warmth and care you might feel for a lover. Isolated piano opens the curtains and allows us to peer in on how “precious” Blake finds his lover. Little lines like “I’d take the calls you don’t want to / I’d take the hair in your food” are invaluable details on how much care he views the object of affection with. The mundane things that make the descent into adoration swifter. When the rush of falling and the excitement of newness flickers in and out, there is always that lingering tenderness of real love. Instrumentally the song feels stripped of big gestures and instead relies on the natural and effective things–gorgeously delivered vocals and simple claps to fill the tune. The song feels like a slow Sunday night, “Div[ing] into diamonds / scratched and you’re smiling,” held in the glow of wonder–in bloom and just sweet enough.

"Who Are You" is the third single from Diet Cig’s latest album, Do You Wonder About Me, and it’s a song that you know is going to be fun to hear live. The track opens with some classic early 2000s cheerleader clapping, and it’s not hard to imagine a crowd getting really into those off beats before vocalist Alex Luciano hits you with the hook. From the start, the song is direct and anthemic. The first line you hear is “Who Are You," accented by snappy vocal leaps that are so catchy the line would get stuck in your head even if it wasn't repeated about 20 times. Like a good rom-com or coming of age flick, "Who Are You" is full of charming quips that balance out the heavier elements of the narrative. My personal favorite is “My moon is in Cancer, I wish I was a better slow dancer." Overall, the "Who Are You" is a perfect anthem for frustration over the end of a relationship you ultimately feel better letting go of. It acknowledges the anger and frustration; however, there are enough rhymes tinted with a feel-good pop campiness that it’s a sure mood booster. Diet Cig's call out anthem perfectly articulates what we wish we could all tell an ex or two. If you can’t be better, at least be honest, and don’t waste my time.

Building on the success of her 2019 EP, You’re A Dog!, Remi Wolf is back with "Woo!" showing no signs of slowing. A perfect summation of Wolf’s one-of-a-kind music, "Woo!" has it all. Funky production and stunning vocals, filled with songwriting that’s somehow deeply insightful, wildly goofy and completely relatable. The production plays the perfect partner to Wolf. Setting the mood and complimenting every move made. Refreshingly groovy and just as playful as the lyrics. A voice full of so much heart unleashes a remarkable performance from start to finish. Even as the chorus opens subdued, the seams quickly begin to burst and set Wolf free to soar. Pondering the complexities of love, only Wolf could deliver the stellar, “and I don’t know what I really wanted / and fuck I think I lost my wallet"—floating between the heaviness and the light of life. The versatile young artist is an undeniable hitmaker, each release bringing more to the table, winning over more ears. No one will put you in a good mood faster.

Summer is inching closer, and Laszlo and the Hidden Strength’s latest album came just in time to accompany picnics in the park and late night drives alike. Their Weezer-meets-Fall Out Boy sound is passionate and relaxed all at once while maintaining the perfect amount of post-punk ambiance. In the track “Chastity Seatbelt” the NYC-based band puts a specific imagery in the minds of listeners—one of vintage automobiles and cruising the open road. Songwriter Laszlo Horvath who is also on vocals and guitar has a way of taking the religious virtue of refraining and using it as an oxymoron. The song gives an overall feeling of escape and needing to break free. In times like these when many feel isolated and in desperate need to get away, this song delivers what present-day listeners need.

Hope Waidley’s new release is intimate and contemplative, inviting you into the sweetness of young, carefree love. “It Rains in Michigan” is aptly named—it's the perfect song for gazing out a window on a rainy day. It's full to the bursting with that feeling of comfort you get when you find someone who feels like home. “It's no longer a secret like it was,” she almost whispers to us, “I'm in love. I don't know what I'm doing, do I?” Waidley’s simple guitar arpeggios, amid layers of hand percussion and a grounding folk-rock beat, all speak of an incredible ease. The whole arrangement cradles Waidley's stunning vocals—she somehow brings the powerful grunge of Amy Winehouse and the chill indie warmth of Cat Power—like a nest. “I fell too fast for 20 years old,” she sings and we can't help but fall too fast as well.

TATYANA arrives from London in spectacular fashion with "Wild Card." A single that is both lush and haunting, "Wild Card" excels in its monumental moments as well as it does in its sparsity. Background vocals welcome with warmth, TATYANA following shortly behind, expertly balancing the moment. The chorus peels back all that’s familiar, allowing for new silence, while the bass and drums breakthrough with an edge. TATYANA also takes the chance to spotlight the harp, fluttering through, sparkling in space. A moment to fantasize about this relationship in the future, TATYANA shares those earnest hopes with the listener, giving more urgency and credence to the passionate chorus. The harp returns, glistening in the sunny bridge, elevating it all to a dream. TATYANA takes that vulnerable moment and smashes right through it, coming back so powerfully with vocals flying in from every direction, each adding such valuable texture and charm to the song. It is a masterful performance across the song but in this final scene, it is undeniable.