Nashville-based artist sweater boy tells the relatable tale of combating loneliness and not allowing yourself to fall into the cycle of a comfortable, yet toxic relationship on his latest release "i think i lost a friend." He sings lyrics that cut straight to the truth, “don’t know who I am / or how to let go / I think I should have said / I’d rather be dead than be alone. “i think i lost a friend” comes off of sweater boy’s (aka David Moran’s) debut EP, aptly titled i’d rather be dead than be alone. Co-produced by Moran and collaborator DËAN, this track is filled out by layered guitars and purposeful samples that create an indie-pop sound reminiscent of fellow Nashville-based band, COIN. Moran perfectly captures the vibe of this song when he says, “The lyrics, specifically, feel anthemic to me, switching from introspection to outrospection every verse and chorus. It plays well with the nostalgic, teenage, coming-of-age sunset movie scene that I constantly find myself chasing with every song.”

Bedroom soul artist cehryl sings on the innocent side of unrequited love on “Moon Eyes,” channeling the effortless sincerity of jazz standards of yore. “It’s about being abandoned, left to wonder,” she explains, “specifically, to wonder with a childlike optimistic naivety.” “Darling, you don't have to be so kind / To travel down all for my surprise / Darling, I'm covering my eyes / So I don't see you've gone a long, long, long time" she sings, melancholy longing lurking under her cheerful scatting. Those first few times you notice someone pulling away, it’s easier to tune out, feigning innocence to hold onto the slim chance of hope that they may return. cehryl returned to her native Hong Kong after her tours with Jeremy Zucker and Cavetown were put on indefinite hold due to Covid-19. Despite her worry that her roots in the music and arts community there weren’t as strong, she collaborated with Jonny Ho to craft a quirky video with snapshots of Hong Kong amidst the pandemic’s second wave.

—

you’ll pluck the glasses from my face 

to polish them without asking

we’ll put our own drinks down and wordlessly

pick up each others’ to try

i often substitute candy 

for meals and these days, i find myself 

choosing gummy bears more and more 

when we kissed goodbye you said,

“i’ll see you around”

“maybe”

“hopefully”

i’ve slept diagonally ever since.

In anticipation of Dent May's forthcoming record Late Checkout due out 8/21 via Carpark Records, the Los Angeles based pop master released his second single from the album, "Easier Said Than Done." Very much in Dent May fashion, he has constructed another groovy tune with an unforgettable melody, one you can't help but bop along to. Dent is joined by Andres Renteria (Weyes Blood) on percussion and Joachim Polack (Pearl & The Oysters) on keys. The music draws on Latin influences while Dent croons a simplistic tale of finding love after a long time coming. "It's easier said than done to fall in love / but finally it's happening to me." As the song comes to an end we recommend getting swept away in Dent May's funkadelic synth-pop breakdown. Keep your eyes peeled for more coming from Dent later this month!

“Sorry,” the latest single from beabadoobee’s forthcoming album Fake It Flowers, is a 90s inspired ballad featuring gorgeous string arrangements. At its core, the song is about what it means to confess to one’s wrongdoings in a relationship, and wondering how those mistakes will come to affect both parties involved. “...I’m doing alright and guess I’ve been feeling fine / But it hurts me / That you could be the one that deserves this / Even more,” the British-Filipino artist also known as Bea Kristi states earnestly, backed by an electric guitar. Halfway through the song, there is a sonic explosion, and the track takes on a rockier, gut-punching feel—a large departure from its simple, string adorned beginning. To start the second half of the song, she sings “I never want to think twice / With what could have been your life / And I’m sorry / I’m sorry.” An earnest, heartfelt apology, she acknowledges that she too has experienced bleak periods similar to the ones that the person she is addressing is currently living through: “...You stayed in the same dark place that I adore / But you stayed for more / I guess that’s what happens to the best of us.” Overall, “Sorry” is an exceptionally strong single that is bound to leave listeners asking the tough questions about themselves and the behaviors they have exhibited in relationships. Keep an eye out for Fake It Flowers, which is due to be released later this year, and listen to “Sorry” wherever you stream.

“Someone New” is Helena Deland’s commentary on the rhythm of the self and the infringing desire to find oneself reflected in the eyes of others. The slow-rising track stands as the title track of her first LP, which was recorded over the lapse of two years and can be expected in full come October.

There is a sort of elemental component to lending oneself to another person; to be seen in their eyes and to be rid of all control of the presentation of the self is an experience that carries its own celestial weight. In lending the image of the self to the hands of someone outside of the self, there is the opportunity for transformation, but not a solitudinous change; a reflection which absorbs an image of a person and transfigures it accordingly, in turn giving a lover a new image of themself.

In “Someone New” Helena Deland inspects the tendency that many have to seek out validation in the hearth of another. The fullness of her voice weaves through oscillating paces:

“If things go my way

I'll stay in this room

Where again I want to lay

Kissing someone new

Who tells me

Something pretty

So that I too

Can feel like someone new.”

In “AUATC (Ate Up All Their Cake),” Bon Iver’s crew is rolling deep: the voices of Bruce Springstein, Jenny Lewis, Jenn Wasner (Wye Oak), and Elsa Jensen meld together with Justin Vernon’s helium-ed vocals into a buzzing confection of a track. A commentary on capitalism, its lyric “shed a little light” also winks at James Taylor’s 1991 civil rights song.

At 2:22, "AUATC: is likely just a snack—following Bon Iver’s release of "PDLIF" in April, speculation hints at the possibility of a forthcoming 5th album of acronym-based titles.

Available via Jagjaguwar, the track was released with an accompanying statement including its full cast of credits and a call for listeners to support five organizations “working tirelessly to foster a world that celebrates our humanity on a local, national, and global level.” Also, be sure to watch the music video featuring exuberant movement and dance from Randall Riley.