Creature Comfort - Woke Up Drunk
Creature Comfort’s "Woke Up Drunk" begins as a simple, feel-good indie folk track. Lighthearted, tuneful arpeggiations twinkle like the stars just before dawn. The lyrics balance deliberate rhyme schemes and stream-of-consciousness quips. Strung together, the words tend to wander down unmarked trails as much as they sit ruminating. Harmonies swirl around the central image of the song: taking a hike to process all the thoughts dripping through your brain, slightly hungover and itching to move. They’re not all bad thoughts, but they’re not all good ones. You’re holding love and resentment in your chest and hoping it’s just a matter of sweating it out. It almost is — but then the bridge hints that you end up letting in as many emotions as you release. After a few listens on repeat, you notice the seeds that build to that final climax. Drums that nudge the tempo ever-so-slightly forward. Vocal chorus harmonies that dip into suspended resolutions. The introduction of an electric lead guitar that slowly becomes more distorted, coiling around a violin melody until they become intertwined. It’s a divine texture shift that’s surprising and perfectly foreshadowed.
— Allison Hill on October 16, 2020The Lazy Eyes - Cheesy Love Song
"Cheesy Love Song” is the musical equivalent of a lazy river tube ride. The track’s relaxed dulcet current is beautifully calm, yet mystically compelling, guiding the listener through an ambient soundscape and leaving them in still water.
While the members of The Lazy Eyes hail from Sydney, Australia, their sound is clearly reminiscent of 70s psychedelia, and Americana legends like Crosby, Stills, Nash & Young, and The Doors. “Cheesy Love Song” also plays heavily on the ‘rock-opera’ influences that were present during the American Counterculture Movement. (With the orchestral harmonious feature on the track, I cannot help but think of Hair: The American Tribal Love-Rock Musical.) The song’s intentionally dramatic lyrics “Maybe you’d love me / if I told you how I felt," and mellifluous piano rifts make this track a true work art—with an ironic, yet fitting title.
— Lilly Rothman on July 24, 2020Kate Teague - The Temporary
On her new single “The Temporary," Kate Teague deals with impactful changes, self-doubt, and uncertainty. The first offering since her 2019 debut EP has the singer-songwriter somewhat diverting from her folksy foundation to an experimental, dreamy lane with the new addition of synths and drum loops. A task that she began after exploring some new influences, “I wrote this song when I first started to listen to a lot of experimental artists like Colleen and Jenny Hval.” Lyrically though, Teague doesn’t abandon her heartfelt and honest sensibility. She takes aim at the questions: where is truly the best place for me and what is next? Her clear-cut, rich vocals coast along as she proclaims, “Sink into my couch and think about a place I'd rather be / But would it mother me / And will I ever feel exactly where I ought to be.” The instrumentation circles around her and acts as a reliable companion as she ponders what’s to follow.
Her concerns for what else might be out there and if she is sitting at the end of the line speak to this exact, poignant moment—where she isn’t alone in the slightest. Maybe now is the time to take stock of what might actually be the correct direction for each of us. Maybe then we'll feel more alive and able when life actively resumes. The single is out now via Muscle Beach Records.
— Meredith Vance on July 24, 2020Ivy Sole - Bittersweet
When times are tough, it’s usually comforting to find the good mixed with the bad. Depending on your beliefs, you might hold faith in the idea that there is seldom a path to joy that does not wind through suffering first. “What doesn’t kill you makes you stronger," right? Happiness and suffering seem, at times, so irreparably intertwined that sometimes it’s hard to notice when “paying your dues” is the wrong call. Ivy Sole’s “Bittersweet” reminds us that joy comes out of being honest and relentless about what you want. Jazzy chords, smooth bass, and Sole’s even smoother voice paint an image of liberation that is invigorating and intoxicating. “I don’t want it if it’s bittersweet; I don’t want it if it ain’t for me." It’s a not-so-subtle rebellion against settling for prepackaged joy with a fit you constantly have to rationalize. More than anything, Sole leaves us with the message that meaningful change shouldn’t be conditional on giving yourself up as a martyr. Everyone deserves the freedom to say “this is not good enough for me” without being forced into a lopsided compromise that’s really just the bare minimum of concessions to stop you from walking away. Whether it’s a significant other or society as a whole—you deserve better. You deserve “sweet without the bitter (and) sun with no rain."
— Allison Hill on July 23, 2020Zoe Polanski - The Willows
There is more than one way that “The Willows” feels like a dream. Zoe Polanski’s vocals are feathered and distant, like an invisible angel delivering strange and important news. Her beautiful lyrics are cryptic and lack a followable storyline; instead, curious metaphorical images like horses running “across an endless ocean” weave in and out of magical realist memories (“I was a sparrow; I flew there like an arrow”) and create a feeling, breathing tapestry. Polanski and her team manage to create this immersive world, convincingly real while you’re in it but hard to explain in waking life, without much more than bass, synths, and a simple beat. Overall, the track is a testament to the powerful combination of patience and clear creative vision. Her debut full-length, Violent Flowers, was released on July 17. It's full of dreamy worlds like the one in “The Willows,” and you can listen to it now on Bandcamp and other streaming platforms.
— Karl Snyder on July 23, 2020Haley Blais - On a Weekend
Pressing into a dual-toned reflection of solitude, Haley Blais croons over effervescent sun-showers of synth on her new single "On a Weekend." With her drifting, alluring sound, Blais gives her voice to the delicate, yet matter-of-fact sentiment of “holding [her] own hand on a weekend." While the track’s origins were born out of the hearth of social anxiety, it has taken on a new meaning as we are asked to only clasp the hands attached to our own bodies. While isolation has its disadvantages, it also acts as a breeding ground to take yourself to the movies, to hold your own hand, and to nourish your own soul. Photo by Lindsay Elliott
— Laney Esper on July 23, 2020Joya Mooi - Bitter Parts
Joya Mooi can’t stop creating. Fresh off her album The Ease of Others released last September, Mooi delivers her second single of the year, "Bitter Parts." A beautiful new offering, a song that moves with urgency. Moments of insight and stunning lyricism dot the path to and from the chorus. One that shows Mooi reckoning with herself, facing the truths she might have been avoiding before. The verses spotlight moments where that reckoning proves necessary. Articulated more explicitly in the video, this self-reflection becomes an endless pursuit—looking in the mirror, finding strength in her vulnerability. The production is fantastic. A deep synth-bass provides a growling foundation, while the drums give it a harsh, relentless feel. It’s all tied together by Mooi’s vocals—with a calming warmth, she makes this tough introspection feel so easy. The bridge is a standout moment, the swirling synths and gentle harmonies working perfectly together to prove Mooi’s mastery. Infinitely repeatable, this dark but dreamy tune just feels good.
— Max Himelhoch on July 22, 2020ekay - Vacant
Leaning into a time of disarray, Dubai-based neo-soul artist ekay has crafted a transcendental realm in her latest release, “Vacant." Before quarantine went into full effect, ekay traveled to LA and stayed for several months—during which the track was crafted. Describing “Vacant” as “what I wish I heard someone say during quarantine,” she ruminates in the unfamiliarity, seeking a muse, someone to “show me something true.” Conserving our collective sanity are "temporary highs," which "keep contradicting conditioned minds"—as circumstances have forced us to face the fallacy of present societal structure. The expectation to constantly be creating in this "free time" despite our anxiety is not lost on us, but ekay challenges that notion; "Production on maybe / Delays on save me," she worries, before resolving, "I mean, I should sleep." On the song, she says, "During this time where change is inevitable, I wanted to help find lightness in the new normal." "Vacant" finds peace in the tension between restlessness and inspiration drawn from accepting that you're lost in the here and now.
— Ysabella Monton on July 22, 2020St. South - RED
Our minds have the ability to run rampant, to think about hundreds of different things in the amount of time it takes to open a bottle of water, take a sip, and put the cap back on. St. South encapsulates this sensation in her song “RED.” Starting with what sounds like someone taking a drink of water, the songwriter, singer, and producer delves into her inner monologue. Her airy vocals accompany synths that sound like the musical equivalent of skipping rocks on a river. This is in direct juxtaposition to sharp percussion and lyrics that detail the reasons she no longer wants to be with her partner. While at times it sounds like St. South could be singing directly to this person, upon closer inspection it sounds as though “RED” is a reminder to herself that she deserves better. The repetition of the line, “I’ve got things to do / Things to do today,” affirms that. Whether she uses it as a mantra for self-discipline or as a casual reminder to push through the hurt she may be feeling, it leaves the listener to reflect on their own priorities. As someone whose brain is always racing at a hundred miles a minute, I found comfort in St. South’s ability to conceptualize the feeling that accompanies knowing that your relationship is unhealthy and your priorities are not aligned. Photo by Liam Gillie
— Sloan Pecchia on July 22, 2020Cape Francis - Just Because
In many ways, 2020 has beckoned us to take personal responsibility for our actions; to be brutally honest with ourselves and others, as well as understand that we must change our lifestyles to protect our neighbors from sickness, injustice, and ignorance—even when this ignorance resides within ourselves. In this way, one of the latest tracks from Cape Francis (solo project of Kevin Olken Henthorn) is a sign of the times. “Just because I looked in a mirror / Don’t make my life appear any clearer / I’m sick of blaming everything else on everyone / So I can pretend it ain’t my bad.” Filled with poignant lyrics and pensive strumming recognizable from Henthorn’s 2019 album Deep Water, “Just Because” reminds us that we must shine a light on ourselves; not only to more clearly see the effects of our words and actions on those around us, but to banish old habits and complacency, and start anew. It brings to mind a mantra I jotted down at the beginning of quarantine:
& i die
a thousand little deaths
each day, so that
tomorrow, i might
be born again.
— Heddy Edwards on July 22, 2020Dinah Is- Thinking Backwards
If you’re looking for a summer fling anthem to live through vicariously, "Thinking Backwards" is the song for you. Lyrically, Dinah Is effortlessly charms with her wit, tossing in lines that tickle your inner English major with playful imagery. A particular favorite of mine: “Weird voices are onto me; they follow me like they’ve lost their key." Alongside sparkly layered synths and compelling rhythms, the track chronicles thrills and chills of flirting with that cute person you’ve kind of got a crush on. Kick drums bring you into the groove, imitating the feeling of your heart leaping up into your throat and pulsing in your ears. Stacked harmonies and effects add a sense of cinematic augmented reality—letting you sink into the rom-com fantasy we’ve all wanted to live in sometimes. Overall, "Thinking Backwards" feels like walking home drunk from a party with someone you really like, swept over with bliss, and harmonies ringing in your ears over the fact that they like you too.
— Allison Hill on July 21, 2020