“Worry” is the first single from Norway-based artist Beharie's upcoming sophomore EP, due later this year. Although this is a break-up song, you probably wouldn’t get that from a first listen. This genre-bending tune feels cheerful and fun, as it shifts smoothly between R&B, soul and a bit of indie pop. 

An arpeggiated guitar plays gently before a groovy beat and lively vocals kick in, making it feel like a windows-down type of song. However, upon listening closely, it is evident that Beharie sings about a moment most of us have gone through, when it finally settles in that we’ve actually broken up with someone who was very special to us. In the verses, he invokes the heaviness of loneliness and the strangeness of navigating who we are as individuals once a relationship ends. 

The instrumentals slow down and build beautifully between sections, echoing the uncertainty and the “two steps forward, one step back” process of getting over someone. This culminates in the chorus where a deeper understanding arises as Beharie sings optimistically, “Don’t worry child / It soon will end / We’ll be alright.” Beharie is firm in reminding us that the key to growth is to face your heartache head-on, leaving us hopeful that everything will be ok in the end. Photo by Malin Longva.

Ester’s “Not the Kind” is an unflinchingly honest song about seeing what’s right in front of you. “I’m not the kind that you’re thinking of…I’m not the kind that you’re dreaming of;” a series of clauses set the scene. Chicago band Ester’s lyrics are clear and concise. There are no double meanings to untangle or complex production to hide behind. They lay it all on the line. Heartbreak, rejection, conflicting notions of how and what to be in this world; Ester channels that emotion on Turn Around, their refreshingly introspective sophomore album. “You’re not the way to the mountaintop / Hate to say I’ve climbed enough...I’m not the kind that survives that stuff.” Insecurity can be empowering if it lets you move on. If you love Lucius and The Wild Reeds, you’ll probably like Ester too.

A warm, wandering guitar leads to Francesca Blanchard’s carefully parsed confessions on "Happy For You," from the singer and songwriter’s upcoming record, Make It Better. That same warmth ignites Blanchard’s white hot unease, born from conflicting feelings about the dissolution of a relationship, as the track treads emotionally wrought territory with a deft sense of purpose. These two words feel swiftly different—a quiet, tempered anger and ambivalent, cheerful instrumental stylings—but cumulatively, these choices illuminate the dynamics at the heart of the circumstance. Blanchard is both intuitively and musically aware of this conflict, and says the song recounts “trying to salvage the remaining pieces of a broken relationship while making as little noise as possible. It's a submission to grief, and there is something so fragile in that.”

Ela Minus’s new release, "they told us it was hard, but they were wrong" is an otherworldly escapade into a dancey multiverse of sound. She wastes no time getting under our skin with a persistent beat and a layered vocal echoing over it’s pitched-down mirror image. One can imagine Minus staring into the looking glass, a conjurer spinning planetary magic around her. Ambient sounds swirl around her as she speaks a simple truth: “Everyone told us it’s hard but they were wrong. When you love, you love it all, and nothing is impossible.” The layers grow in energy and complexity, a tapestry of synths swelling and stuttering over a four on the floor kick drum that won’t quit. It’s a tripped out victory dance and an explosive ode to love.

“Somehow,” a standout track from Hala’s Red Herring, is the pure distillation of only the best parts of the rock and roll ethos. It is sunglasses-and-leather-jacket cool, with none of the pretense. Singer-songwriter Ian Ruhala, who plays essentially every instrument on the album, plays the part of your friendly neighborhood Julian Casablancas, delivering a perfectly crafted pop song with a simplicity that feels effortless. Artists like Stef Chura and Anna Burch (for whom Ruhala played guitar on tour), among many others, set a high bar for Detroit’s vibrant indie rock community, but it is a community Hala slides into nicely. Though he retreated to the woods of Washington to record the album, he now broadcasts his Mid-Day Show sporting a sweater and his dulcet voice from his Detroit home, giving guitar lessons and music production tips from a safe distance. In the song’s music video, Ruhala and his ragtag bowling team narrowly defeat the bigger, meaner favorites, but even after all of the bad blood he reaches out to offer a handshake over a game well played. Ruhala is an underdog poised to break out, the hero of whatever story we need.

Relationships can be challenging, we know this. A partnership could have a pair of fantastic communicators, and somehow the whole thing can still unravel. Elah Hale, singer/songwriter, model & native New Yorker, at only 20-years-old, has her own story of disconnect to tell on the track “ITPA,” short for “in the party alone.” Apparently, after getting into it with a significant other, Hale went to a party to clear her mind. During the party, she came to certain realizations about the relationship. “You only miss me when you’re by yourself, I’m losing patience,” Hale sings with her tender, silky vocal, sharing a storyline that so many young lovers face. Hale’s cadence is fixed with a sense assurance that might confirm her desire to find a healthier affair. Despite it’s melancholic message, the smooth, alt-pop track is melodic magic that sounds like it could fit right into any party playlist. The beat is churning, steady and provides proper space for atmospheric textures and Hale’s vocal to be the track’s driving force. “I don’t know myself, I just can’t do it,” she sings. Hale’s honesty and lush confidence will get her to where she needs to be, and it’s likely a path that will be her own.

"I’m Warping Here” by Dutch duo Feng Suave has all the makings of your favorite summer track: retro-soul style, a body-moving groove and references to childhood nostalgia. Don’t let it fool you; the lyrics reveal themes a little heavier and darker than the feel-good vibes let on. On second thought, go ahead and let it fool you. In this song, songwriters Daniel De Jong and Daniel Elvis Schoemaker explore the sinking feeling that your best days are behind you and adulthood is turning out to be a whole lot less glamorous than you once envisioned. One particularly poignant line: “Maybe I'm not ever really home for long enough to stare my own eyes down.” Is it that we’re too busy to take a moment to get to know ourselves, or do we intentionally keep ourselves busy to avoid doing so? Either way, the subject matter and musical production are actually a brilliant pairing. Everyone can relate to this everyday existential dread. It’s a reminder that we’re all in this together, so let’s celebrate being human. Go ahead and turn it up while you swivel your hips in your kitchen or drive with the windows down. Trust me. It feels so good. And I don’t know about you, but I could use a little feel good anthem right about now.

Being stuck inside just became a million times more enjoyable with Kali Uchis’s latest TO FEEL ALIVE EP drop. After her 2018 release of Isolation and a few amazing features on other artist’s tracks like Little Dragon and KAYTRANADA, she’s back with sexy, slow songs perfect for sunbathing out your window or thinking about your quarantined lover. “angel” is a gorgeously honied track off of the EP, conjuring up images of swaying around in Kali’s personally made paradise. Like many of her other hits, the sweetness of her voice breathes life and feeling. Her warming vocals embrace you, confessing her desires to her lover and easily hypnotizing her listeners with cool rhymes and weightless rhythm. Some of the sounds in “angel” feel close to her 2015 earlier release Por Vida (like the intro to her track “Speed”), but with even more mastery and layers. Kali continues to grow in artistry while keeping and growing upon her signature sound. Her next highly awaited album is slated for release later this year, and if its anything like the sleek TO FEEL ALIVE EP, we can anticipate the best.