It's not cool to admit you're lonely, sad and looking for something real with someone else in the hellscape of modern dating. But on her new song "Andromeda," Weyes Blood does just this AND makes it sound cool because that's just what she is — cool. Her singular sound is hard to place, with the only fair comparisons being Lana Del Rey meets Karen Carpenter, or Tammy Wynette's backing band meets Mind Games-inspired psych rock. Her lyrics, as always, twinkle with mystic themes, the track's title being inspired by Andromeda Galaxy, the galaxy closest to the Milky Way. The story of her broken heart and the "crazy guy" who she "dares to try" to love her is a tale as old as time, but Weyes Blood asserts the gravity and sincerity of her affections with zeal. Her strong voice croons, "You know that I hate the game/don't wanna waste any more time/you know I been holding out." Tired yet hopeful, "Andromeda" is a song for disheartened romantics holding out for something true "to hold on to."

Monopoly and Life: two board games that depict the trials and tribulations of the human condition. Amanda Tenfjord’s final single, “Pick a Card” from her debut EP First Impression does the same. In the chorus, she sings, “Just pick a card, any card / Say it's simple / I say it's hard.” The synth-laden track is coupled with her smooth but strong vocals that echo those of Sia, while NME have compared her to London Grammar and Adele. Tenfjord is a Norwegian 21-year-old living in Trondheim, the country’s third largest city which is developing a name for itself as the site of a burgeoning pop music community. As a new and young artist, Tenfjord is expressing the uncertainty of her future on “Pick a Card.” In tune again with the board game imagery, Tenfjord reveals, “I'm happy, but you know it's always tempting to push rewind and go from the top. / Life is not a game we can restart though. / No checkpoints if you go too far.” If you’re a fan of Scandinavian pop, definitely explore the rest of Tenfjord’s EP First Impressions out now on Propeller Records.

The best way to describe Adeline Hotel’s track “At Least We Tried” is slow burning. With it’s mellow guitar riffs, understated piano and steady drum beat, the Brooklyn singer-songwriter creates a warm and  heart wrenching listening experience with its subtle twang and well thought out instrumentation layering. The song overall carries Adeline Hotel’s signature warm tone and poignant lyrics. In it, singer Dan Kinshokwy sings of love, second chances, and life with lyrics like, “It’s hard to make sense of it / But you’re doing better than I might.” and “Please shoot out the light and tease me with everything wild.” With his easy-going vocals coupled with the warm harmonies provided by singer-songwriter Johanna Samuels, Knishokwy provides a tender exterior over a hard discussion of timely existential needs and a wistful rumination on what's actually needed to find happiness, fulfillment and why it can be so hard to come by.

Yowler’s Maryn Jones has a diverse musical background, so it makes sense that her sophomore album, Black Dog in My Path, is an ode to genre-bending. “Angel” is the first song on the album, and immediately, the grit of the acoustic guitar strums combined with Jones’s soft, cool vocals evoke a mood reminiscent of seeing your favorite rock band perform an intimate stripped set. The sound grows as the song progresses, adding electric guitar, a kick drum and backing vocals, but Jones’s voice never wavers. Her unique soprano anchors listeners to the melody through relatable lyrics that touch on love and what happens when you lose it, including the lines, “we float around from place to place / like two heavenly bodies.” The song eventually culminates into a full rock sound, but because of Jones’s vocals, it never loses its introspective feel. “Angel” nicely sets the tone for what’s to come on the album.

Virginia based surf-rock/new-psych band LADADA premieres their rapturous new song "Float Away" with us today. While the excitement in the song is explicitly heard there is a containment it to that makes it more intentional and less wildly. It's obvious that it's a joy that is tied to a memory or feeling of europhia. Frontman Josiah Schlater tells us, "I wrote this song a while ago when I lived near an inlet that had an old canoe that was begging me to take out with someone. I had this grand idea of bringing a bottle of wine and floating away forever. Eventually this state of bliss was achieved with my now fiancé, in that very inlet, along with plenty of other magical moments when traveling with her overseas." The sound of chimes coupled with the entrancing vocalizations that mark the beginning of the song succeed in mentally taking you to the place where Schlater was when he wrote this song or at least your very own version of it. We're pumped to hear more from  LADADA  andlook forward to the release of their debut record Heaven on the Rocks out Feb. 15 on Gold Robot Record.

The lulling sweetness that ripples throughout Arima Ederra’s newest track, “Free Again” feels like waking up on a beautiful, sunny Sunday after a restless night of bad dreams. The LA-based, Ethiopian singer and multifaceted artist is an expert at re-working tired concepts like fearing the monsters underneath your bed and drawing out new meanings and deeper truths to the most human of struggles. “Free Again” is a triumph in every sense of the word. Instrumentally, the track is cheery and unrestrained while still remaining relatively minimal — never upstaging the focal point, Ederra’s phenomenally uplifting voice. The strength of the song’s production lies in the effectively soft contrast between the deep bass, skirring drums, and glowy, tender vocals. “Free Again” is an homage to imagination, freedom, and growing up only to figure out the value of carrying that childlike wonder with you wherever you go. 

Singer-songwriter Latifah Alattas pours out her heart and soul with the MODA SPIRA track “Divorce.” The song is a slow, smooth ballad that embodies the feelings of coming to terms with the fact a long term, committed relationship is coming to a close. Alattas heartfeltly sings “I want a divorce. This is now our course” and reminisces over the moment she and her former lover came to the conclusion to end things. With a hypnotic and emotional piano playing in the background she vulnerably sings, “You said it was not love but that was not enough” and “Your face was stoic and cold as my face laid in my palms." The track comes to a close with Alattas singing simple and heart-wrenching vocalizations, almost like crying, as the keys slow down and eventually end on a solemn note.

Introspective synth-ballad “Right Now” by The Undercover Dream Lovers comes as their newest single. Notes of disco, pop and rock all meld together for a smooth, summery bop. From the synth solo dance break in the middle of the song to the electric guitar riffs and far-out vocals echoing throughout, you can’t help but sway to the sound of this track. Love almost lost is the central theme of this song framed around a certain 70s-esque psychedelia. The Undercover Dream Lovers' Matt Koenig echoes the persuasion of someone reluctant to let go or be let go of with his unique vocals singing, “You wanna let me go / “I’m right before you now”/ So find your way back / Right now. The lyrics feel less like a plea to a lost lover, and more like permission granted to the listener to dance to the rhythm of the song itself — something that is not hard to do at all.

Bringing a new life to reverb-washed indie music, Sister Kit, Nashville's mood rock outfit, has developed a guitar attitude that has a distinct amber warmth. On the song, "Someone to Blame," from their debut EP, Slow Recovery, band catalyst Abby Clark crafts a woozy psychedelia that mixes alternative and western-leaning singer/songwriter styles. Her honeyed vocal croon has a wonderful, light twang that brings with it the folk-nostalgia of young Stevie Nicks singing "Landslide." When paired with the no-fuss instrumentation of Robbie Jackson on guitar, Abraham Fongnaly on drums and Parker Van Der Hyde on bass, the four-piece welcomes you into a minimalistic groove that gently grows. Clark builds a narrative that speaks to whoever she’s talked with on the phone for hours that it’s ok for her to change her mind. She repeats the words, "I owe you nothing,” and the song is anchored in that reminder. Despite this fact, sometimes people just need to find someone to blame.  

Shy Beast's "Flowers Grow" is a saccharine electro-pop flash. The indie group from Austin, Texas has an EP coming on November 30th, and "Flowers Grow" is the last bit of hype they're giving us before they release the real deal. The bouncy, optimistic single could be the score to a montage from your favorite early 2000s movie. You know, the one that occurs at that moment when the protagonists start making healthy life choices and realize how much they have to be grateful for. The song tells the story of two people who resist the pressure to freak about their own insecurities and instead decide to enjoy life and watch the "flowers grow." Frontwoman Mariclaire Glaeser sings with a Jenny Lewis-like precision, "He never seemed to mind / Watching all his friends move away to start new lives." The idea is not to worry about what's going on "out there," and to just enjoy the here and now. If you still think indie-rock is a bunch of moaning sad boys, just look Shy Beast's way.

Originally from Oklahoma and Texas, indie-folk-rock band Wilderado carry their roots deep within them. After releasing three EPs in the last three years, the band has garnered well-deserved attention and has since played festivals like Bonnaroo and Austin City Limits. Within their newest EP Favors is an rock gem called "Sorrow" that possesses special musical and lyrical qualities. Nevertheless, this acoustic version shows the bare bones of the song, exposing new levels of vulnerability. Opening up with steady guitar picking and frontman Max Rainer's dynamic voice, the song tells of having a relationship with a deep sadness that then affects other vital relationships. "Let’s talk sweetly like all our love is false / Like we can stick around I’ll say too much/ I’ll let you down with sorrow’s touch," Rainer confesses. While melancholic in nature, the sweetness of this acoustic version uplifts the song as a whole. If this is your first introduction to Wilderado, "Sorrow" is bound to make a lasting first impression.