The Birmingham-born quartet, The Brook & The Bluff, have released their first full-length record, which shifts from soft rock to soothing, melodic grooves seamlessly. One harrowing single from this long-awaited LP is "Hallways," a cold-weather cry to a long-lost love. Though lyrically a little ambiguous, the emotional poignancy of this track comes through its musicality and that classic layered harmony the band is known for. This is a soft, gorgeous song that nourishes a gentle, end-of-fall feeling but will still be listenable through the winter. Listen to "Hallways" on The Brook & The Bluff's debut album First Place.

Hop in the car, roll the windows down, and be transported back to warmer summer days with Jelani Aryeh’s new track “The Garden.” With the perfect blend of R&B and bedroom pop, this dreamy tune will have you hooked and wanting to hear more from the San Diego artist, whose musical influences include BROCKHAMPTON, Frank Ocean, Rex Orange County and Childish Gambino. His heartfelt lyrics, refined electronic production and catchy hooks make it hard to believe Aryeh is not yet 20 years old. Since the release of his debut EP Suburban Destinesia in 2017, Aryeh has dropped multiple singles, all of which have the same alternative suburban-pop vibe that is unique to his sound. If you love his music as much as we do, catch Jelani Aryeh live at Chelsea Music Hall on Thursday, September 26 alongside beabadoobee, Gabriel Black and KennyHoopla.

While known for her futuristic production and stories of extravagant parties, British pop aficionado Charli XCX reaches new heights on "Official," a love letter to the person you're with when the party's over. She seems embarrassed to broach the idea of going official, toeing the line of hope and fear. "Look at us, isn't it obvious?" she asks: though she shouldn't have to, for someone as bold and brash as Charli, showing her emotional side is a terrifying concept. "Is it so dangerous? Is it so complicated?" Simple keys and a luminescent synth build in the chorus put her fragile vocals at the forefront, with the touch of autotune acting as a final barrier to protect her from feeling fully exposed. The song's earnest bridge is its highlight, as she insists, "Maybe the sky might not always be blue / All of my wishes will never come true / It doesn't matter 'cause I’m here with you." Long-time collaborator A.G. Cook pushed to have the track on her new record, where Charli felt it was too out-of-character. While it seemed Charli XCX could only shake up pop conventions by getting weirder, stripping things back turned out to be the most gratifying surprise of all.

Florida native Sierra Kay, known for her previous work in bands like Neaux and VersaEmerge, has spent the last few years on a quest for self-exploration. During her travels from NYC to Tennessee, Sierra has been creating a collection of hyper-personal songs about the inevitable heartaches of being a restless and rowdy woman who won’t settle down. These songs have morphed into Sierra’s new project, Bad Daughter. The band’s first single, the free-spirited and bittersweet “I’m Too Much” offers a glimpse at what this new endeavor will bring. The song toes the line between dreamy Americana and earthy folk with Sierra’s crystalline vocals and earnest, self-deprecating lyrics front and center. With one foot planted in the realm of indie rock and the other in the world of alt-country, Bad Daughter should be on everyone’s radar this coming year.

“House Show’ by Frames is meant for windows-down, hair-blowing driving. A bubble gum beat perfectly complements her soft, poppy voice. Underneath the lovely vocals, understated but powerful guitar strums lead the song along. Though maintaining the same love-stricken lyrics, Frames’s most recent release has a more upbeat, bubbly vibe than her past songs. Her most recent of just three songs, “House Show” is crazy catchy. Having recently joined Philly independent label Know Hope Records, we can expect—and desperately hope—for more releases.

"It Nan" is the latest single from the London group Babeheaven. The dreamy guitar intro is immediately transcendent. "It Nan" tells a story before we even hear the lyrics. "Every time I look a little deeper / five feet down I follow you," the tone to Nancy Andersen's vocal is slightly haunting, reminiscent of an old soul like Billie Holiday. The most unexpected yet somewhat nostalgic aspect of the track is the percussive beat that drops a quarter way through the song. It is the union of all of these elements that makes the sound of Babeheaven uniquely their own.