Remi Wolf - Rufufus
“Rufufus” by Remi Wolf is all groove. Seamlessly marrying R&B and funk, Wolf’s newest release demonstrates her unique command of the mechanics of sound. With layered vocals and a flowing beat, Wolf creates a sound that revives funk of the past in a fresh, impressive way. Combining melodic groove with lovestruck lyrics, “Rufufus” sets a vibe-heavy precedent for Wolf’s debut album, You’re a Dog!—slated to release September 20.
— Caroline Peacock on September 10, 2019Ra Ra Riot - Flowers
Ra Ra Riot’s recently released “Flowers” is the second single off their upcoming album, Superbloom. The first single, “Bad to Worse,” dropped in March, and the album itself is set to drop in early August. It will be their first LP since 2016’s Need Your Light.
“Flowers” is the perfect teaser for the album and the perfect song for any summer playlist. Produced by Rostam Batanglij, a former member ofVampire Weekend, the song is an upbeat ode to a lost love. The indie rock band sings, “Do I wonder if I should have stayed? / Every night / Every day” a bittersweet sentiment followed by “So don't bring flowers to my grave / Say goodbye from far away”—in an uplifting, pitched chorus paired with a quick-paced, dance-inducing rhythm. The song is quite matter of fact with lyrics like, “I know it ain't good but I'm feeling self-destructive,” in Wes Miles’, the lead vocalist, perfect tone. While the lyrics are raw and rather heart-wrenching, the instrumentals and beat keep the piece light and fun—a great song for reminiscing while keeping in mind the days ahead.
— Monica Hand on May 28, 2019Yoke Lore - Safe and Sound
Yoke Lore’s newest single “Safe and Sound” is a meditation on the changing functionality of relationships over time. It is gentle and comforting as Adrian Galvin sings of this love being a sanctuary, “All the days of the danger, believer / You’re my safe and sound.” In a world where everything seems to be changing, shifting, or just plain falling apart, the people we hold closest to us become our sanctuary. The New York indie pop act drives this point home not just in the lyrics but in the comforting swell of Galvin’s voice and the peaceful piano melody. It is a sweetly melancholic take on a love song. The harmonies add a sense of community within the track as it builds to the second half. It never reaches too large of a peak, stopping right before it becomes anthemic. It quiets back down for the second verse before the track fills out again with synthesizers and layered vocals, but it never feels forced. It is a natural progression of strength. “Safe and Sound” is the second single from Yoke Lore’s upcoming EP Meditations due out on June 14th.
— Corey Bates on May 23, 2019Saint Sister - Is It Too Early? (Kilmainham)
In their latest release, "Is It Too Early? (Kilmainham)," Irish duo Morgan MacIntyre and Gemma Doherty, known as Saint Sister, use unlikely sounds in their just-a-little-unnerving soundscapes, like the hubbub of a party and the plucking of Doherty’s harp. The empty space and floating vocal harmonies point towards Bon Iver influences, and the start-and-stop syncopated percussion could form the backbone of a Chance The Rapper beat. After the 2015 EP Madrid, Saint Sister toured extensively, sharing bills with The National and fellow Irish hitmaker Hozier. In a handwritten note posted to Twitter, Macintyre describes the duality of the touring lifestyle, the vast difference between perception and reality. “I couldn’t shake the feeling that I was supposed to be having the time of my life but all I wanted to do was go home,” she writes, struggling to make peace with the never-ending days “in the back of the van not getting to explore the different places [they] passed through, coping with the stress of a hectic new routine.” The song’s chorus frames this conflict in terms of a social gathering, designed to be fun but in all likelihood equally stressful. “Is it too early / To leave this party?” sing Macintyre and Doherty in harmony, and the takeaway of the song, MacIntyre’s note and the band’s body of work is a reminder of the power of a strong friendship, a statement made bolder in harmony.
— Daniel Shanker on May 22, 2019Harmony Byrne - Smoke Inside
Harmony Byrne’s newest single, “Smoke Inside,” is a robust, romantic ballad about celebrating who you are and not settling for anybody who doesn’t let you shine. Produced by Jim Eno of Spoon, the blues-inspired rock track sways to a catchy and gripping pendulum beat. Behind Byrne’s gorgeous, smoky vocal, a hip-swinging sample is played on repeat to hypnotic effect, sucking you into the rhythm of the song immediately. The classic sound of the electric guitar works well with Byrne’s husky vocal, simultaneously energizing the track and giving it edge. Once again, Byrne delivers the lyrics with raw emotion: “Honey if I burn sometimes will you let me smoke inside / If I die tonight will you set my soul on fire.” “Smoke Inside” is a soulful track with a sensual beat, and Harmony Byrne is a powerhouse. Look out for her debut LP, Heavy Doors, this fall.
— Britnee Meiser on May 22, 2019Choker - Lucky
“Lucky,” from Choker’s EP Forever & A Few, the final act from his project Filling Space, brings together the positive energy of childhood and the security of becoming an adult who knows himself. The lyrics in “Lucky” follow the process of growing into who you need to be. The 23-year-old Michigan-based hip-hop artist, ventures into layers of self discovery with this project—allowing three separate EP’s to tell three separate stories during three weeks of 2019. As the final act of this project, Forever & A Few closes up on a high note. “Lucky,” the second track off the 3 track EP, captures the energy and impact of Choker’s bold journey into growing and learning to value the things he made for himself while growing. The single and its visuals, along with the entirely of Filling Space are out now.
— Giulia Santana on May 21, 2019Baby Rose - Borderline
Baby Rose’s distinct and uniquely soulful vocals lend themselves to her equally soulful lyricism. “Borderline”, one of her latest singles to be released explores the push and pull of an undefined relationship in a state of flux. “Heavy stuck in the motions / but we’ll just keep it going / trying to find where we stand." When does it end? Where is the line between something and nothing? The emotions behind such uncertainty are emphasized throughout the song, ultimately ending in, “Maybe if I could just stop / dreaming of him, I’d be fine / I don’t know where to reside / I’m still / on the borderline, “ a feeling many know all too well. The rising Atlanta native’s layered vocals and old jazz-infused instrumentation give this track the exact pensive and somber feeling the lyrics themselves convey. Charismatic and unique, Baby Rose is absolutely one to watch.
— Jazzmyne Pearson on May 20, 2019Bedouine - Echo Park
Dinner Party alum Bedouine croons a lovely ode to the place she lives in “Echo Park.” It’s the third single from her upcoming album Birds of a Killjoy, and it’s just as soft and dreamy as its predecessors. An ephemeral opening synth introduces Bedouine’s soothing vocal, and her signature 60s folk influence is immediately apparent. Complimented by the light flitter of the acoustic guitar and cozy snare drum, the hazy arrangement settles over you like soft morning sunshine. You feel the way Azniv Korkejian, the voice behind Bedouine, feels about Echo Park. “While my love's away at work / I'll bob and weave through the styled streets of Sunset Boulevard / Where everybody's avant-garde.” No stranger to wandering, Bedouine was born in Syria, raised in Saudi Arabia, Boston, and Houston, and finally settled in Los Angeles. “Echo Park” is one of many places she has called home, which makes her decision to write the song that much more meaningful. “Long as my rent don’t climb / I’ll be living in Echo Park.” Beduoine’s sophomore album, Birdsong of a Killjoy, is set to be released June 21 via Spacebomb Records.
— Britnee Meiser on May 20, 2019Top Bunk - Calm Me Down
“Calm Me Down” is the fun and eclectic new single from digital punk rockers Top Bunk. Formed in Silver Lake, LA the band is made up of a large handful of friends who had musical eccentricity in common. “Calm Me Down” is an excellent portrayal of what they’re capable of—clocking in at just 2:22, the tiny track has a big sound and isn’t afraid to break the rules of conventional songwriting. A lush arrangement creates vast soundscapes through buzzy, vibrant synths and electronic keys. A throbbing bass line introduces you to the song, bopping to a smooth, catchy beat, and carries the rhythm the whole way through—creating nice consistency in a track so packed with sounds. Frontman Petro A.P.’s voice is clear and fluid, switching between languages and cadences with seamless ease and transfixing from start to finish. Ultimately, “Calm Me Down” is unlike anything you’ve ever heard before. Now, you won’t be able to stop listening.
— Britnee Meiser on May 17, 2019Your Smith - Bloody Mother Fucking Asshole
The perfect balance of brash and beautiful, raw and refined, “Bloody Mother Fucking Asshole,” the latest cover by Buzzsession alum, Your Smith, is an acoustic catharsis—an ode to those who refuse to apologize for taking up space any longer. This song—originally written and performed by Martha Wainwright—explores the raw emotion and ever-present frustration of womanhood in a poignant and relatable way. “I wish, I wish / I was born a man / so I could learn how to stand / up for myself”. Fiery vocals and repeated expletives build up a stream of emotion that overflows into a space not often occupied by female artists, effectively making this song every bit as socially rebellious as the women it speaks to. “I will not pretend / I will not put on a smile / I will not say I’m alright for you / whoever you are” are words that feel like a love letter to every woman who has ever been made to feel less than she is.
— Jazzmyne Pearson on May 17, 2019FKA twigs - Cellophane
Existence in the current digital oligarchy—this era in which a faceless social collective constantly yells at us to fulfill myriad, shallow but ultimately meaningless expectations—has left us, collectively, overwhelmed. No one, it seems, is happy with themselves, or anyone else. And if they are, you probably won’t hear about it online. FKA twigs is a heartbreaking example of this social paradox—her relationship with Robert Pattinson was, by all accounts, terrorized by hordes of online trolls who felt she wasn’t good enough for him. In “Cellophane,” her first song in three years, twigs anguishes over flooding pressure from people who want to see her and her lover’s relationship crumble. Her attempts to push back are futile. “And I don’t want to have to share our love,” she sings in the song’s lone verse. “I try but I get overwhelmed / All wrapped up in cellophane, the feelings that we had.” The first single off her upcoming record feels like a gut-punch—it’s a song that leaves you, like twigs, gasping for oxygen, for a space to breathe again.
— Devon Sheridan on May 16, 2019