British R&B singer Pip Millett pays homage to Otis Redding with her newest single, “Try a Little Tenderness.” The cover retains the soul and spunk of the original while bringing in modern sonic elements that nestle it firmly in the 21st century. Millett swaps Redding’s horns and piano for a heavy bass line and a soft, clapping hi-hat that groove behind her vocals. Smooth and sure, Millet’s voice is the standout element of this song. It’s got a soul-appropriate swing that feels effortless as it carries you from one verse to the next, and her crooning, lo-fi cadence, which feels a little bit indie, hooks you onto her every word. The lyrics stay true to the original, though the fact that they’re being sung by a young woman — the subject of the song — turns the meaning on its head in a great way. “Try a Little Tenderness” is beautiful and deceptive in its simplicity, and it’s only the sixth song Millett has ever released. We can’t wait to see what’s next from her.

You know the kind of old-timey, vibey music that normally plays behind the "falling in love" montage in indie romantic dramas like 500 Days of Summer or Blue Valentine? The kind of song that was rediscovered on a cassette tape at the artist manager's estate sale decades after it was recorded? Now picture that song enveloped in warm, saturated, lo-fi production and the vocals of Erykah Badu and Nai Palm's lovechild, and you have singer-songwriter/producer, Sophie Meiers' latest track, "Something About You." 

The 18-year-old, who also goes by the producer alias, "GUTTERGIRL", is unafraid to speak openly about her feelings. An air of delicate, heartfelt nostalgia consistently permeates her genre-bending work. "Something About You" captures the ways in which she manages to remain unapologetically herself through her inventive use of background harmonies paired with layers of watery, atmospheric tones and bouncy, Nintendo-inspired synths. Sophie Meiers is a young, surefire artist who has and will continue to push the limits of what it means to be a lo-fi, bedroom musician. Be sure to look out for her debut solo EP coming out later this year! 

We’ve all heard the tired cliché, “Age is just a number.” Still many of us find it difficult to overlook notions of age when it comes to seeking out new music. What if those notions were challenged enough to change the way we perceive age and just how old someone can be to rock and roll? The emerging neo-Motown powered band, John The Martyr embody exactly what it sounds like to push these boundaries.

In their follow-up debut, “Cross The Line” the bands three instrumentalists, Kyle Ridley, Dustin DiSalvo, and Chris Hines — all in their mid-20s — paint us a refreshing blues-rock landscape colored with warm, staccato vintage keys, bouncy drum fills, blistering horns, and buttery synthesizers. All of which is stroked with the heart-quaking vocal hues of 70-year-old Harlem soul singer, Bill Hudson. The track seethes with the spirit of old-fashioned R&B while honoring a tone of innovation that sets John The Martyr apart from other soul-inspired groups. Sure, a 70 year old man belting with the power and personality of a 25-year-old is more than enough to make them stand out, but they take it a step further. This hodgepodge of R&B, funk revivalist proves that, even though times are changing, good music is good music. Sometimes we just have to “Cross The Line” between old and new to find something with character, something like John The Martyr. 

Now that the NYC heat wave has passed, the title of this song doesn't sound like such a bad idea. UK indie-rockers, Far Caspian's latest single "Let's Go Outside" takes you somewhere before you even hear a single word. In a similar fashion to bands like Real Estate, somehow within a guitar lick lies the imagery of trees-lined streets and a cruise at golden hour. Frontman Joel Johnston’s voice is full care-free ease and a lo-fi sound that creates the perfect summertime vibe. While Far Caspian first started as a Joel's one-man project in his college dorm room, the band has grown into the four-man piece it is today, ready to release their first EP later this year on indie label Dance to the Radio. Although infused with shimmer and sun, Joel tells how "Let's Go Outside" really came from the darkness of the depression he dealt with when moving from Ireland to London. It's universal and also deeply personal, finding hope for life to look better than what you currently see. With a track like this, Joel just might be able to cajole you to follow his lead and enjoy life outside of your four walls and ac unit. 

Somehow while splitting their days between both NYC and LA, The Lulls have found the time to share their new single “Goodnight America.” The track’s intro opens with shimmering guitars paired with a cruising beat that takes listeners to a place that feels like a sunny, California afternoon. The vocals are subdued and contrast well with the bright instrumentals throughout the song. The final moments of this indie tune are intriguing as it builds and fades away while repeating the chorus creating almost a sunset effect. While catchy, this song doesn't shy away from poignant lyrics, “Everybody hurts / everybody cries / the American experience / is never asking why.” the chorus says. If you're still crafting your indie summer playlist "“Goodnight America” will make the perfect addition. 

You may not know Benjamin Lazar Davis yet, but you love his friends. Between collaborating with Lake Street Dive’s Bridget Kearney and joining Okkervil River in their newest lineup switch, Davis recorded a solo album brilliant in its own right. An anthem for the modern era in a long line of eras more divisive than the last, “Choosing Sides” has Davis questioning the meaning of the “pointless dance” we perform when we are too afraid to say what we mean or be who we are. The minimal picking of an acoustic guitar is joined by an array of ethereal hums, just as simple relationships are muddled by the complications of everyday life. This song is a serene look into a rare moment of clarity as it finally dawns on him that fighting the same fight to the same end does not make it a worthy cause. Nothing spells resolve like a key change, and, by the end of the song, Davis is done, even if it means disconnecting entirely.

Abby Clark of the lo-fi indie trio, Sister Kit, speaks directly to a lost lover on the group’s first single, “No Fun,” taking you with her through her realizations that she missed an opportunity at love because of her own fear. Woozy guitar strums play over a warm bass line as she sings, “I know it’s a little late / but I think I left too soon ‘cause I was afraid / of loving you.” The song floats along with the weight of that heartache and melancholic tones that recall bands like Mazzy Star. Clark’s powerful croons crescendo as the song nears its end, washing over the mix with a final, thoughtful reminder to the lover she left that living with the regret, “hasn’t been fun.”

Nashville dream pop artist Bantug recently released "Shapes," her single off her latest EP Red. Full of edge and empowerment "Shapes" speaks to the people we become by accident, "we all fall into shapes we didn't mean to." With a concept that feels so fresh yet universal, Bantug has left us very impressed. Amanda Bantug's dream pop tunes are honest and transparent yet light and euphoric and fans of the Now, Now and The Japanese House are sure to appreciate her sound. Be sure to check out her latest EP to hear more from this up-and-comer!

With a voice that sounds more timeless than trendy, Johanna Samuels sings of the difference between what you feel and what you say. "Supposed to Say" is Johanna's first single off of her EP "Have A Good One" set to release this summer. Opening with a line like, "Was I suppose to say 'It was nice to see you today,' cause it was hell for me." Johanna lets us know from the get-go exactly what she's about. While parts of this song are in the form of a narrative, giving us a glimpse into this specific storyline, other lines like "I might not know then who to be, but consider me up off my knees." are confessional and unearthing thoughts that Johanna executes with dignified grace. Mellow and subtle in nature, the instrumentation of this song work as a frame to showcase Johanna's voice, but not without experimental and alluring moments of its own. One listen to "Supposed to Say" will make you remember Johanna Samuels' name and not forget it any time soon. 

The dream child of Austin, Texas born brothers Blair and Reed Van Nort, The Rassle is a buzzworthy New York based indie-rock project. “Roll On” is an instantly infectious summer anthem in the same vein as “Tongue Tied” by Grouplove in that you can easily picture this song playing during a pivotal moment in an indie teen romance movie. With a tight knit production quality the vaguely industrial guitar riffs match up perfectly, somehow, with the warm country twang of the vocals to create this track. We can easily envision this as a go-to song for dancing around the bonfire barefoot in the middle of summer and we are excited to see what is to come on the debut album which drops June 22.

Joseph Le May’s new project SONTALK is an Americana-infused rock that is smooth as butter, instantly calming and the kind of song that makes a road trip. “I Am a War Machine,” the lead track of the three-song debut tackles the fragility of man and how we have to unravel completely in order to be open with our true nature. Le May combines the lyrical mastery of Ryan Adams with the distinct distorted guitar genius of The War on Drugs creating a sonic combination that will keep listeners around for the foreseeable future.