British R&B singer Pip Millett pays homage to Otis Redding with her newest single, “Try a Little Tenderness.” The cover retains the soul and spunk of the original while bringing in modern sonic elements that nestle it firmly in the 21st century. Millett swaps Redding’s horns and piano for a heavy bass line and a soft, clapping hi-hat that groove behind her vocals. Smooth and sure, Millet’s voice is the standout element of this song. It’s got a soul-appropriate swing that feels effortless as it carries you from one verse to the next, and her crooning, lo-fi cadence, which feels a little bit indie, hooks you onto her every word. The lyrics stay true to the original, though the fact that they’re being sung by a young woman — the subject of the song — turns the meaning on its head in a great way. “Try a Little Tenderness” is beautiful and deceptive in its simplicity, and it’s only the sixth song Millett has ever released. We can’t wait to see what’s next from her.

Is there anything quite as vile as sitting on someone's birthday cake or chopping off their hair and running it through the garbage disposal? Of course there is, but Slothrust imagines these childish and unjustifiable acts of cruelty, the kind that would ground you until your own birthday rolled around, through the eyes of an adult who should definitely know better. “Birthday Cake” starts off singsong and saccharine but turns sour, as if singer Leah Wellbaum had her fingers crossed behind her back the whole time. This transition is driven by a style of acoustic punk reminiscent of The Mountain Goats or early Front Bottoms, complete with dueling guitar solos simultaneously competing for your attention. “I don’t care anymore / You can do what you want,” Wellbaum sings as the song comes to an abrupt halt, stomping off to her room and slamming the door to ensure she gets the last word.

Model Tenant is the epitome of “everything I never knew that I needed.” This collective made up of roommates/artists Liza Odachowski (Liza Anne), Allie Closner (Joseph), Josh Gilligan, Zach Dyke, Thad Kopec, Robbie Jackson (Keeps) and Abby Clark (Sister Kit) have come together to join forces and give us what they refer to as "Roommate Rock." “Real Like You” the first song ever released from the band, doesn’t waste time to draw you in. From the very moment it begins, its steady pulse and groovy bass line catches you, hook line and sinker. The first verse begins with the unison of a male and female vocal that makes every word stand out in a way that’s almost tangible, ironically bringing the very topic of the song to light.

“Real Like You” deals with the idea of having individual lives while being apart from the human beings that make our lives what they are. It also delves into the concept of trying to feel grounded in what is real while deciphering what is not. Giving us nuanced lyrics with a danceable track, Model Tenant allows us the luxury of pondering as we move to the beat. Still the true beauty of "Real Like You" is its ability to showcase seven artists in a way that glorifies their individualities in unity. Chances are you'll be less than halfway into this song before you realize that you're gonna need more of whatever Model Tenant is cooking up in their Nashville home soon, real soon.

Indie folk rocker Elijah Wolf's first single “Tell ‘Em” off of his upcoming album On The Mtn Laurel Rd, is a deeply personal and honest track that represents a specific moment in Wolf’s life. The vivid scene he paints with his richly detailed lyrics and emotional vocal delivery brings listeners into his world and gives us a glimpse into the heartache he feels towards leaving home and the loss of a loved one. Although the track is sonically upbeat, lyrics like, “Yesterday came and went / am I dreaming of a place / that I’m leaving / All I know is gone,” reveal Wolf clearly expressing nostalgia for a different time in his life and how much the place and people in this time period meant to him. "Tell 'Em" comes to a close with the singer expressing “Tell ‘em I’ll be alright / tell ‘em what you need from me / for you,” before closing in a mellow cycle of the line “for you” and slow guitar strums.

After recently hearing Hope Tala’s track “Blue,” which was released earlier this summer, we were instantly hooked on her dynamic rhythms, sultry melodies, and compelling lyricism. All of these elements continue to be present in her newest single, “Moontime,” where she combines soulful sounds that were born in bossa nova and jazz. Pulling in subtle synth waves and a sparse yet purposeful piano, the West London artist strings together a track with a heavy groove wrapped around her emotional narrative as if to distract from what Tala describes as the “painful nostalgia about lost love.”

Reminiscent of the great female-led bands of the 90s such as Sixpence None the Richer and The Cranberries, "Good to You" by Kate Teague keeps it light while getting introspective. Already garnering immense praise, Teague proves that she's an artist to keep on your radar with the release of this single off of her debut album. In a comparison game that many of us know all too well, Teague finds herself wanting to be a better partner than she currently is, maybe one that resembles someone that she's seen in couples around her. With love in her heart and a desire to be better, we are strung along feeling the sweetness of this song in every lift of her airy and delicate falsetto. Still, the best part of the song comes at the end, with the entrance of a juxtaposing voice coloring the chorus with flare and charm. Taking you back in time, "Good to You" will make you hopeful about the direction of the music, and more specifically where Kate Teague is heading. 

New York based, electro pop duo Satellite Mode recently released their latest dark and dreamy single, “Terrified,” which serves as their follow-up to their previous single “Gave It All.” The track is a catchy and major-key bop that showcases lead singer Jessica Carvo’s haunting vocals and Alex Marko’s creative chord progressions and beats. The song uses its upbeat energy to touch on topics like the fear of love and the love of fear with poignant lyrics like, “Tell me / why do / I love being terrified. / What kind of fool / feeds on their own hurt/ to kill the time?" As the song reaches its dissonant climax the distortion becomes even more prominent, leading listeners further down the rabbit hole of a rhythmic pattern of hand claps and a listless marching beat with a surprising end.

Looking for a chill, dreamy pop-bop to wipe away those end of summer blues? Then look no further than Manchester duo, Darcie’s new song, “Darling” off their latest, two-track EP. The song exhibits the striking, lo-fi soul sound that Zigi Porter and Tom Donaldson have been cultivating during the past year. A groovy beat filled with fizzy percussive elements and mild, wavy electric guitar carry Portner’s sweet, subtly powerful voice. Her brazenly sincere persona shines through as she sings, “Pack up your lungs professing your love it should just be sex.” Although echoes of Sylvan Esso, Rex Orange County, and Jorja Smith can be heard in “Darling,” the duo has managed to keep a loose leash tied to their influences, which has, in turn, allowed them to open up their own stirring, candy-coated feel. Whether you’re listening with your windows rolled down on your drive back home from work or pumping it through your headphones on an early evening jog, “Darling” is sure to have you feeling good.

Black Belt Eagle Scout is the soul project of Portland based, radical indigenous queer feminist, Katherine Paul. "Soft Stud" is the opening track off of her record, Mother Of My Children. The opening guitar is grungy and raw and identifies with the revolutionary woman not looking to back down. When Paul begins to sing there is a contrast that cuts like glass. Her voice is pure and emotive. The lyrics are simple but they ring out almost like a chant. It is impossible to not feel moved. 

"Write It On Your Heart" is the first single released off of Bad Bad Hats latest record, Lightning Round. The indie rock band based in Minneapolis, Minnesota is fueled by the break-ups, relationships, and longing love letters written by the effortlessly powerful front woman, Kerry Alexander. "Spare me your love / I don’t deserve anything / That’s how you made me feel / Traded me for a stranger, baby" the lyrics are sincere and hit straight at what it means to be young, in love and abandoned. The instrumentation is hyperbolically upbeat and welcoming with nods to 90s pop rock. Catch Bad Bad Hats in a city near you this fall!

Taylor Janzen is as honest as it gets. "Interpersonal" her debut EP out today, depicts a sojourner on a journey of self-exploration that diverges from the way life was approached during her religious childhood. In "Colourblind," Janzen sings of what it's like to live through the darkness of questioning God's intentions and even mental illness surrounded by people who don't seem to get it. Still with heart and unbridled power she sings, "I am bitter but just know this / I will not feel ashamed to exist." This noteworthy declaration reminds us that even if at the moment being alive in equivalent to being stuck, confused or mentally ill, no someone should be robbed of their human dignity. With artists like Julien Baker and Phoebe Bridgers paving the way, Janzen proves that this era of honest-to-God, women singer-songwriters is just getting started. Taylor Janzen's voices shines with quiet might and is not only to be heard but listened to.