Oracle Sisters credit the inspiration for their newest track “Asc. Scorpio '' to their guitarist Lewis Lazar, who conceived of the song after being stung by a scorpion in Jamaica. This experience served merely as a jumping-off point for the band’s future releases, all of which will take on the complex associations we have to our memories within an uncertain international moment. “Asc. Scorpio” captures this intention expertly, combining a dreamy and laid back sound with lyrics that are fearful at times, nostalgic at others. “Asc Scorpio” montages youthful and idyllic images of the past—a child in a crib in a rocking chair—with painful images of the global present—an elephant in hunger, a power grid and thunder. “Asc. Scorpio” does not explicitly speculate what the future holds, but perhaps suggests that in any cultural moment, pain is punctuated with joy, and the joy is what we attempt to hang on to. Ultimately, Oracle Sisters prove that many meditations can come from a warm, Jamaican beach day that is interrupted by a sting.

As music has pushed itself to a place where genre labels are more of a suggestion than a guarantee, bands like Sorry have found success through their chameleon-esque ability to not just adopt a different style from track to track but to make that style uniquely theirs in the process. “More," the third single released by Sorry in the lead-up to their debut album, sees the indie rockers trying their hand at grunge. Singer Asha Lorenz attacks this track with a gruff, discontent growl in her voice—a fitting approach to adopt given the tone of the lyrics. The rebellious opening line finds Lorenz declaring “I want more, and more, and more, and more," and it sounds convincingly demanding over the genre-standard distorted guitars and punchy drums. The track breaks away from the intensity a bit during the chorus, opening up into a real earworm of a vocal melody that drives home the purposefully repetitive nature of the song—taken as a whole, it’s chant-like and alarmingly effective at planting the lyrics into the listener’s subconscious. Sorry’s debut album, 925, is out March 27; if the singles are reflective of the whole record, listeners can expect a masterclass in genre-agnosticism.

Australian singer-songwriter Harmony Byrne has kicked off her 2020 in a big way. This year brings a new single release and the announcement of her first Australian headlining tour, which opens February 20th. After releasing four singles in 2019, the 2020 release of "Good Idea" is surely just that—a good idea. The crooning of the slide guitar and the echoing of Byrne’s image-evoking voice create a sound reminiscent of Eagles and Joni Mitchell mixed with Faye Webster. While the sound of this song is cohesive to the rest of her discography, it tells a story that is entirely new. "Good Idea" reflects upon the longing to escape and describes feelings associated with loss. The chorus leaves the listener haunted as it discusses the impact our own recklessness can have upon others, “Running a red with your headlights down / Seemed like a good idea at the time / But others are following along your road / And some aren’t as lucky as your first line.” An album release is surely right around the corner.

Diet Cig turns nightmares into a sonic dream with their newest single, “Night Terrors.” Born out of lead singer and guitarist Alex Luciano’s real struggle with night terrors, the track harnesses the driving beat of Noah Bowman’s drums to reclaim some power lost to sleepless nights. “I’m doing my best to keep it in check but it’s out of my control,” could very easily apply to many situations in life. The powerlessness of nightmares is akin to being a bystander in one’s own life—hoping and praying that our decisions won’t hurt us or the ones we love the most. The song perfectly displays the cohesion Diet Cig is known for while amplifying the punk duo’s ability to have fun with just about any subject matter. “Night Terrors” is the band’s first new release since 2017 and came alongside an announcement of a North American and European Spring tour.

Melbourne’s Wolfjay lets go of the past in their newest single “In Memory Of.” The new track blends synth-pop and alt-rock to create something that feels familiar yet new at the same time. Wolfjay is the project of non-binary musician and producer Jack Alexander. They create music caught in the middle of gender, genre, and time. Alexander wrote the song before coming out as queer. It commemorates the almost physical sense of loss you can feel as you grow up and out of your past self. While the loss can be painful, it is often for the best, "I left a long long time ago / I was sick of the neglect / cause now I’ve learned to think of myself.” Wolfjay harnesses a pop-punk rebellious spirit to push forward through a heavy distorted guitar and into their future—fully becoming the person and the artist they were always meant to be. Wolfjay will make their first visit to America this March at New Colossus in NYC.

Embarking on the journey to their fifth full-length album, New Jersey band Real Estate shares a maturing sound with their recent single “Paper Cup,” featuring sweet vocals from Amelia Meath of Sylvan Esso. The song meanders away from their previously beachy and carefree tone into a more introspective look at seeing the people in your life grow and change while you stay in the same patterns you’ve always been in. The easy-listening flow of the production feels at home in singer Martin Courtney’s voice—soft on the ears, but now with lyrics that stretch deeper into self-awareness like, “You’re trying on new fits / I’m on the same old trip / But you know that I love it / And I can’t seem to quit.” “Paper Cup” is revealing, searching, and just what’s needed for Real Estate’s growing musical journey. Catch them on tour this spring following the release of The Main Thing which comes out on February 28.