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Murielle - Felt Cute (Might Delete Later)
Murielle - Felt Cute (Might Delete Later)

Murielle - Felt Cute (Might Delete Later)


NYC-based singer-songwriter Murielle is choosing to put herself first with "Felt Cute (Might Delete Later)," a self-love hymn she describes as her "reclamation." By invoking a meme in the title typically used to shame confident women on social media, Murielle reclaims the joke for herself, shattering the notion that women should be humble or coy about their looks. Featuring cadenced production by Swami Sound, the track fuses world music with pop-R&B synths and atmospheric elements, such as birds chirping to mimic the start of a new day, one that has her "feeling some type of way." Ambient harmonies further the anthemic quality of the song, as she makes a simple, yet revolutionary choice to "give her [ego] a twirl" even if she "didn't get laid / No, I didn't get paid." The music video features Murielle in various rooms of an empty building with a group of double-duty background dancers and admirers. The satisfaction of asserting her confidence, "Something that I worked for," is a feeling well-earned.

Ysabella Monton on September 18, 2019
Roofers Union - Friends

Roofers Union - Friends


At some point before the first in their newest line of three singles, Roofers Union’s impressive back-catalog disappeared from Spotify and thus, seemingly, from existence entirely. Their full-length album with song titles like “Man Kills God, Man Creates Dinosaur” and “Godzilla Does Dallas,” their wild music videos, everything, poof, gone. There is no clearer sign of an attempt at rebirth, and by all accounts, they are starting anew with a rekindled drive. The first new single, “Karate,” finally fulfilled so many indie bands’ dreams of being recognized by Pitchfork, and they continue now with “Friends.” “You were probably right / When you told me I am in control,” sings frontman T.C. Tyge, so close to reaching some kind of inner understanding—“I just don’t know if it’s up to me.” Despite the weight of the lyrics, Roofers Union still puts so much effort into its unpredictable sound as the kind of band that prides itself on its “deeply bonkers multimedia show.” Their characteristic undercurrent of wackiness still defines the backbone of “Friends”—a wackiness that, when combined with their electronic influences, drummer Robby Bowen’s stunted breakdowns, and Tyge’s peculiar croon—makes Roofers Union sound like an able successor to alt-J, and it’s a treat to hear them in any form they find.

Daniel Shanker on September 3, 2019
Molly Sarlé - This Close

Molly Sarlé - This Close


Singer-Songwriter Molly Sarlé impresses us once again with her recent single “This Close”, the second in a string of new releases off her forthcoming album Karaoke Angel. While this is her first solo endeavor, Sarlé isn’t the new kid on the block. She is one-third of the folk outfit Mountain Man, which also includes bandmates Alexandra Sauser-Monnig (who just launched her own project Daughter of Swords) and Amelia Meath (who founded Sylvan Esso.) “This Close” widens the compelling space that Sarlé is making for herself, marked with a mix of pointed, striking songwriting and ethereal, billowing sonic landscapes. The flowing track is an ode to the “what could’ve been” scenario that we’ve all had when we meet someone special, but things don’t ultimately align the way we wish they had. There’s an underlying sense of self-awareness in Sarlé’s lyrics, “When everything happens / at once / Isn’t that / What we love / Are we really this close / Or is it just / The drugs / You’ve been working yourself up into a state.” Her words aren’t weighed down by wishful wallowing but instead amplified with reflective gratitude. Karaoke Angel is out 9/20 on Partisan Records.

Meredith Vance on September 3, 2019
Chastity Belt - Elena

Chastity Belt - Elena


Chastity Belt’s newest single “Elena” is a tribute to the enigmatic Italian novelist Elena Ferrante. It is slow and droning with Lydia Lund and Julia Shapiro layering vocals over fuzzy guitar, gentle basslines, and the soft crash of cymbals before gaining momentum in the second half. The track is an intricate web of sounds yet somehow it avoids feeling too engineered. They explore the feeling you have when your friend falls for someone who doesn’t deserve their attention, “his only intrigue was the lack of him / fill in the blanks with what you see fit.” It’s painful, infuriating, and somehow always makes you feel like a teenager. “Elena” is the newest single from Chastity Belt’s upcoming self-titled album due out September 20.

Corey Bates on September 3, 2019
San Fermin - The Living

San Fermin - The Living


In advance of their upcoming album, The Cormorant I, the first album in a two-part project following two characters from birth to death after a visit from an ominous bird, Brooklyn chamber-pop group San Fermin has released the second single, “The Living.” The scale of the ambition of their projects is almost comical until you hear how beautifully it’s matched by the ambition of their music. Ellis Ludwig-Leone is a master of orchestration, constructing avant-garde indie rock songs with pop hooks and classical arrangements. After recording three albums with largely the same group of musicians—a group that started out as a piecemeal orchestra gathered specifically to record the self-titled debut and whittled down to a leaner band— what is most impressive is the way Ludwig-Leone employs each member's talents in the larger scope of the song. When Allen Tate, in his bone-rattling baritone, sings the song's memorable tongue-in-cheek lyrical wink—“It’s for the living / We don’t have to try / ‘Cause aren’t we alive?”—the wink in the lyrics is matched by an unexpected chord change, a smirk as the first hint of San Fermin’s more artful composition shines through. “The Living” is the album’s penultimate track, moments away from the inevitable fulfillment of the circle of life, and the band proceeds to its most bombastic as the characters spiral towards their inevitable conclusion.

Daniel Shanker on August 30, 2019
Hater - Four Tries Down

Hater - Four Tries Down


Swedish outfit Hater make an emotive case with their recent release “Four Tries Down,” the first of two new singles on their forthcoming 7” due out next month and the follow up to their magnetic, sophomore 2018 album Siesta. The tender track is a reminder of the band’s ability to shift your mindset from a dream-like state into something more grounded with their poignant take on indie-pop. Lead singer Caroline Landahl guides you through a storm of difficult times with her steady, whole-hearted vocals as the punchy, rolling production marches close beside. It’s a kind of plea to find what’s left over when you’re at the end of your rope and out of options, felt as Landahl states “No one knows their limit / till the limit is near.” As the instrumentals lead you out, you’re left wondering if she ever found what she was looking for to begin with. Four Tries Down / It’s A Mess 7” will officially be out on September 6 via Fire Records.

Meredith Vance on August 30, 2019
​Angel Olsen - All Mirrors

​Angel Olsen - All Mirrors


Angel Olsen: a true, witchy beauty with a musicality like Sharon Van Etten and Fiona Apple (and the wardrobe of a goth Jenny Lewis) is blessing us with a new record on October 4, titled All Mirrors. She dropped the title track on July 30. Tonally intact but musically different, "All Mirrors" is all synth-punk and dreamy. Angel's vocals are as crass, girly and undeniably authoritative as ever, but this song falls more accurately into an 80s pop strain than an alt-rock one. That being said, it's still Angel. "All Mirrors" is still fraught with emotionalism and that rich, velvety darkness that we find in most of her music. The music video features Angel sitting atop a rotating platform in a white gown, singing to the camera in a black-and-white frame. Perhaps the rotation is an echo of the monotony and ache of time as she sings, "Standing, facin', all mirrors are erasin' / Losin' beauty, at least at times it knew me." She's kicking off her North American tour this fall—check out the dates here.

Hannah Lupas on August 30, 2019
Barrie - Chinatown (Alt)

Barrie - Chinatown (Alt)


Brooklyn indie-pop band Barrie strips back their sound to its dreamy, glistening essentials on “Chinatown (Alt),” one of two new singles they released as alternate versions of the more upbeat retro-pop originals on their debut album Happy To Be Here, which came out earlier this year via Winspear. “Chinatown (Alt)” relies mostly on nostalgic, twinkling keys and singer-songwriter Barrie Lindsay’s clear, wistful soprano. The song is a gorgeous dream-pop lullaby, making strategic use of bare, plinking instrumentals and airy harmonies to transport the listener to a place amongst the stars. The raw intimacy of the production proves that sometimes, less is more. Lindsay’s soothing vocal reverberates at the front of the arrangement, so it sounds like she’s whisper-singing into your ear. The lyrics are equally fitting: “Oh, the light in Chinatown tonight/ Those are weaker days / When I talk to you when I say your name / I can't tell if I fell back asleep.” Listen to “Chinatown (Alt)” to wind down after a long night, and you’ll be instantly relaxed.

Britnee Meiser on August 29, 2019
Bon Iver - Naeem

Bon Iver - Naeem


From Bon Iver's newest LP i,i comes "Naeem," a track likely named after Justin Vernon's collaborator and co-writer Naeem Hanks. More rhythmic and brimming with vocal warmth than some of the other tracks on this album, "Naeem" feels emotional and omnipresent: a cinematic departure from Vernon's otherwise loftier songwriting. This is not to say that this song is shallow in any sense. On the contrary, it feels more authoritative and defining. During an interview with BBC Radio 1, Vernon describes this particular track as signifying a crucial turn in the album: "I think it’s like the end of the first act. It ends the first side […] It was kind of too rambunctious, too energetic, or too Les Mis to end the record. It’s the end of the first act, the end of the first breadth of songs. It kind of gives you a chance to start over again on the second side." Bon Iver released i,i on August 9, 2019.

Hannah Lupas on August 29, 2019
FIG - Stamped With Love

FIG - Stamped With Love


New York-based singer-songwriter Fay Liew, performing under the moniker FIG, has released a new track about "leaving things which feel like home to you." "Stamped With Love" transports listeners to those final moments before departing, as depicted in the dreamy cover art by moosepopcorn, when the scenes are fresh, playing back like a film reel. The nostalgia permeates through her nonchalant vocals gliding over a retro R&B-influenced beat, with bittersweet lyrics like "Catching fireflies / Jumping oh so high / Imprinted in my head" reminding us of the things we all hold onto. Whether it's an old flame or a city you've left behind, FIG lets you know that even when change is imminent, memories and lessons learned are souvenirs to take along as you move forward.

Ysabella Monton on August 28, 2019
MyKey - Was It Something I Said

MyKey - Was It Something I Said


“Was it something I said… oh fuck.” MyKey's new song "Was It Something I Said" begins with these softly spoken words right before bursting into sound. Though rhythmically upbeat and melodic, the song’s lyrics convey a sense of bitterness and resentment. Coupling the beat with the lyrics produces an underlying tone of nostalgia; it’s almost as if there is a dreamy memory washing over the bitterness. Introspective, soft, and bubbly— it’s the perfect song for a summer night.

Caroline Peacock on August 28, 2019

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