Margaret Chavez - Honeysuckle
“Honeysuckle” is a dark folk masterpiece in balance from Austin-based Margaret Chavez (Marcus Striplin). The track opens with hypnotic guitar arpeggiations that draw you in like waving wildflowers drawing honeybees. Then come the lyrics, which paint vignettes of tragedy that seem initially at odds with the cheerful guitar melody. As the song progresses, the track unfolds into a retrospective of loss and love. Each verse relays another heavy anecdote of someone the narrator has loved and lost in some form. The stories that hit the hardest are underscored with dark, warbly synths that make you feel as though you are being teleported into the world of memory. The lyrics are so heartbreaking, it would be easy for the song to sink into sadness as deep as Striplin’s beautiful baritone voice; however, the buoyant guitar lines keep the song in the realm of bittersweet. It will be exciting to see what else Margaret Chavez has in store on their sophomore album “Into an Atmosphere," due to release July 31, 2020, via We Know Better Records.
— Allison Hill on April 24, 2020Still Woozy - Lava
Sven Gamsky, best known as rising indie-funk superstar Still Woozy, is the definition of DIY. Part new-age R&B, part psychedelic pop, and part experimentation, his sound doesn’t fit neatly into a box. He has yet to come out with an album but has steadily been releasing hit singles since 2017. He writes, records, and self-produces all his music in his garage-turned-studio space in Oakland, California. His artwork is weird and vibrant, and it’s all made by his partner. Most notably, he’s unsigned, yet his Spotify monthly listenership currently resides at a cool 2.3 million. For all his unconventional methods, his success isn’t a mystery—his groovy, chill tracks are easy listening for music-minded ears. Gamsky's newest single, “Lava,” is no exception. It’s a vibey, sun-soaked jam that begs to be blasted on good speakers. Dreamy synths and a wavy guitar line cast the song in a warm, shimmery glow, while the swinging bass and tight percussion maintain the funky, head-bopping beat. Gamsky’s vocals are soft and pleasing even though he’s singing about a riff with a loved one, nicely complimenting the atmospheric arrangement and proving his sound is something of an unstoppable force. “Lava” is another smooth, abstract jam from the master of transcending genre. Keep an eye out for Still Woozy's debut EP, Lately, set to release on May 8th.
— Britnee Meiser on April 22, 2019JR JR - Dumb Myself Down
Starting out in a Michigan basement, JR JR—formerly known as Dale Earnhardt Jr. Jr.—has perfected the balance between electronic synth beats and heartfelt rhythms. In “Dumb Myself Down,” the creative minds behind it all, Joshua Epstein and Daniel Zott, showcase their abilities to effectively get a crowd dancing while staying true to the indie characteristic of meaningful lyrics.
In this track, Epstein and Zotts explore the idea of ignorance being bliss. From the very start of the song, JR JR sings of yearning for the level of happiness that someone without any worries feels as they go about their day: “Danger lives just up ahead / Walking through mind fields as you dance.” Then, with the drop of the beat, the song's progressive build-up falls away. The listener is suddenly driven to dance, as JR JR sings along to lyrics alluding to their wishful desire to be dumb and therefore less aware. "Dumb Myself Down" is just one of 16 songs off the band’s double album, Invocations/Conversations, coming out May 31st.
— Monica Hand on April 22, 2019Courtney Barnett - Everybody Here Hates You
Australian songwriter, Kurt Vile collaborator, and notable left-handed guitarist, Courtney Barnett is back with a new single, "Everybody Here Hates You," released as a Record Store Day exclusive. The title, though, does not indicate any sort of mean-spirited dig. Instead, the song is a look inside a mind plagued by insecurity. Barnett is no stranger to this level of candor in her music. Her most recent full-length album, Tell Me How You Really Feel, featured the track “I’m Not Your Mother, I'm Not Your Bitch,” and her lyrics often bring surprising life to the mundane and straightforward. “I feel stupid / I feel useless / I feel insane,” she opens, “I get my hair cut / I feel the same.” Already, in this first line, she introduces a drawl in her affectation on “i-i-i-insane” present throughout the song’s sluggish chug, like it’s taking every ounce of effort she has to sound this effortless. She’s uncharacteristically optimistic in the anthemic breakdown, shouting reassuringly, “We’re gonna tell everyone it’s okay.” Still, her judicious use of the tremolo bar in the final guitar solo reminds us of Barnett’s truly singular songwriting voice.
— Daniel Shanker on April 19, 2019Biomes - Everything I Need
Queens-based songwriter and producer Sam R. (aka Glassio) has listeners wrapped in a psychedelic, dance dream with his new alt-electronic project, Biomes. In the debut single,“Everything I Need," Sam uses elements of Persian music with electro-synth beats and indie-pop vocal stylings to create a unique brand of dance music that will keep you engaged yet entranced. “Everything I Need” begins with a subtle hum that then grows and stays consistent throughout the song. Soon, it’s joined by well-blended layers of synths, percussion, and floaty vocals that take us down a rabbit hole of sound. As the current of the song ebbs and flows, the lone singer is suddenly joined by a swelling chorus who lament for the remainder of the track—“One of these days I’ll wake tomorrow, I want to see the sun come up the way, I used to know.”
— Alessandra Rincon on April 19, 2019Izzy Heltai - Marching Song
"Marching Song" is the latest release by indie-folk songwriter Izzy Heltai in anticipation of his full EP out April 19th. Izzy's simple and often nomadic life is deeply reflected in his music. An unusual power and constant movement dominate his storytelling. There is a quality to his voice that is very timeless and comfortable, even when the lyrics tell a stirring story. "I couldn't tell you through the telephone / that I am not myself / I am not myself anymore." The horns and keys throughout the song offer a contrasting softness to the raw guitar. Izzy delivers a refreshing voice in the folk community. There is something very delicate, yet purposeful about his instrumentation and songwriting. You can catch Izzy Heltai on tour in the United States and Canada this fall.
— Sophia Theofanos on April 19, 2019Beauty Queen - Sold You Out
“Sold You Out,” a new song by Beauty Queen, will make any day feel like a Sunday afternoon. The band, hailing from San Francisco, is due to release their forthcoming EP, Out of Touch on April 19th via Brooklyn’s Sleep Well Records. "Sold You Out" is truly pleasant and comforting, and sometimes, especially these days, that’s the kind of song we need. It’s a track that makes smiling at the fresh spring leaves seem like an entirely normal and not dorky thing to do. Yes, synth dream pop is all the rage right now, but Beauty Queen has truly hit the nail on the head with what the genre is trying to achieve. Even though "Sold You Out" is full of synths and simple chord patterns, it’s layered in an unpretentious yet non-basic way. Like many other west coast bands, Beauty Queen appears to be drawing from artists like Washed Out and Tennis, but there's still something distinct about what they're doing. Take a listen and see what I mean, I swear I’m not over-selling it.
— Samantha Weisenthal on April 18, 2019Middle Kids - Real Thing
Indie alt-rock trio Middle Kids dive into the “lifelong quest for meaning” and touch on feelings of inadequacy in the expectations of one’s life in their latest track, “Real Thing.” The Sydney natives begin the song with a wavering, somber-sounding guitar intro paired with singer Hannah Joy’s attention-grabbing vocal sighs. Once the chorus hits, all three members come together to create a bittersweet melody backed up with fuzzed-out guitar and pulsing percussion. As a whole, the single is effortlessly layered and contains touching lyrics like, “Don’t it ever make you feel sad / Is this is the real thing.” This enables listeners to pick up on the song's themes of vulnerability and emotional isolation—staying true to this narrative of constantly searching for “meaning” in a world that doesn’t provide you with a clear path to happiness.
— Alessandra Rincon on April 18, 2019Big Thief - Cattails
Big Thief’s new single “Cattails” feels like home. The major key is somewhat desirous and dreamy, and vocalist Adrianne Lenker’s upward inflections make the song feel like the sight of a car rolling up a gravel driveway it’s been away from for too long. As Lenker sings out, “And the clusters fell, like an empty bell / Meteor shower at the motel / Where the empty space is a saving grace / Making good time and doing well," the star brushed poetry of this song reverberates through the soul. Filled with endless grace, "Cattails" builds a kinship between the music and the listener that is satisfying in its broad nostalgia.
— Ben Burke on April 18, 2019Junaco - Willow
Northern California duo Junaco balance the warm and inviting with the haunting and suspenseful in their latest track, “Willow.” Singer Shahana Jaffer provides dark, smooth vocals that linger, leaving the listener hanging on to her every word. The vocals float above plucky, bellowing guitar lines that when combined create eerie and atmospheric soundscapes. The track is an emotional one that shifts and bends from its gothic, folky open to a sonically bright wave of warm Americana guitar tones. The duo then change things up even more by switching vocal duties and throwing some shimmery indie pop guitar and expressive drums into the mix. This variety expresses a full spectrum of emotions, but cleverly keeps it all connected so that we can also “feel the room.”
— Alessandra Rincon on April 17, 2019Field Medic - henna tattoo
Field Medic’s “henna tattoo” combines acoustic strings and lo-fi beats to create a cathartic analogy about the temporary and mercurial nature of love. Singing “I’ve been feeling so insecure/ like is it gonna come true if i say it?/ rolling blackouts in your heart/ gave you a henna tattoo/ and it’s fading,” Field Medic beautifully uses the imagery of a henna tattoo to allow listeners to conceptualize and empathize with the universal experience of love’s tribulations. “Henna tattoo,” the fourth track off the album, fade into the dawn is a cool, calm song that feels like an upward swing. It sound marries indie folk and lo-fi, resulting in something fresh that’s definitely worth a good listen.
— Ben Burke on April 17, 2019