Laufey's debut EP Typical of Me is out today, and it's already stealing hearts left and right. Her track "James" might be especially good at that, as it tells a tale of the type of heartbreaker we've all fell for—and had a dramatic fallout with. Nothing feels quite like the realization that you were in too deep over the appearance of someone who is, in reality, too shallow. And nothing feels quite likes this track as Laufey combines her jazzy guitar style with captivating vocals and harmonies that will give the name "James" a whole new meaning for you. The Icelandic-Chinese musician writes songs the way a painter would make a self-portrait: mixing strengths and limitations to present a perspective no one else would have. The result is something deliciously charged with feelings. For more of that, make sure to check Laufey's Typical of Me. Photo by Blythe Thomas. 

"Stardust Scattering" opens heralded with drums that come closer and closer until they settle underneath gentle rhythm guitar and fade into a background pulse. It sounds like a summer rainstorm, percussive taps on roofs and window panes turning into song as the stream of raindrops becomes steadier and heavier. Valerie June’s voice layers on itself in ethereal harmonies, like a cool breeze bringing in momentary relief from August heat. Twinkling keys drop in like raindrops in a puddle. Swelling brass begins to ebb and flow like thunder, rolling close then far again. The track sits somewhere between sorrow and euphoria, with the lyrics delicately touching loss as often as buoyant optimism. Joy is nestled among grief, like stars in the middle of the desert: shining, hopeful and also so far away. It’s a beautiful addition to Valerie June's latest album, The Moon and Stars: Prescriptions for Dreamers, out now via Fantasy Records. Photo by Lelanie Foster.

“The Right Thing Is Hard To Do,” the latest offering from New York-based, indie-rock group Lightning Bug, is a sprawling tune full of warm and honest moments. From the start, the track feels bigger than the confines of a pair of speakers. The towering guitars and singer Audrey Kang’s tender yet confident vocals bring the country-adjacent track to Grand Canyon proportions. Within these confident vocals, Kang is calling for fundamental change within the world she sees, “The right thing is hard to do / When you’ve got so much to lose / Still in fear, it’s hard to move / When you’ve got so much to prove / Doubt / Ebbs and flows / Well, I’ll let it flow,” questioning whether we really ever know if the right thing is being done. 

“The Right Thing Is Hard To Do” is the lead single from Lightning Bug’s upcoming album, A Color Of The Sky, out 6/25 on Fat Possum. Photo by Ingmar Chen.

The funniest part about putting in work to improve oneself is that you rarely notice the fruits of your labor until someone else points it out. Those small steps that have to be taken every day to reach a goal are invisible to the outside world, but once that change is made more evident, it can be startling to look at just how much has altered in the process. Jesse Gold’s newest single, “R.I.P.,” is a slinky pop-leaning statement piece about the musician taking pride in how far he’s come, both as an artist and a person. His smooth tenor is a fitting match to the bouncy synths and funky bassline that accompany him, and the earworm melody that serves as the track’s centerpiece belies a natural pop sensibility. The confidence and comfortability that Jesse has cultivated are apparent in his delivery throughout, and that extra degree of assuredness acts as an effective reinforcement of the track’s core message: if you believe in yourself and put in the time, the end result will always be something you can take pride in. Jesse's debut EP, Stupid Hours, is being released on May 7. Photo by Arman Saturday.

It's rise-and-shine with Chloe Berry's charming new single “Breakfast.” The twenty-year-old NYC artist cooks up a delightful bedroom pop treat filled with bright guitar strums, syncopated drum beats and hazy vocals à la Frankie Cosmos, Clairo or beabadoobee. “Breakfast” serves as a single for her upcoming EP, Blueberry Jams and makes for an endearing and easy listen—but much like Berry's music, it also packs a good punch. The song, while structurally simple, also manages to be quite unpredictable. The combination of retro background vocals in the style of 50s pop, its swift rhythm changes and overall low-fi textures makes the whole track shine and come alive.

Berry now records with her partner and producer Sam Poon (aka Spoonuel) but says she’s been making music since she was seven years old—and it shows. She’s a gifted songwriter and has the kind of sharp, smokey voice that can easily translate beautifully on stage. As an upcoming artist, Chloe Berry is one to definitely look out for. Photo by Sam Graff. 

Gold carries a lot of warm connotations, of something pure and valuable and beautiful. It’s among the softest of metals—easily flattened out into a delicate leaf, melted and reformed, or otherwise reshaped. It’s highly sought after and valued by virtually everyone who holds it. Occasionally imitations arise, and some are sold as the real thing for how much they look alike. Love is likewise, or at least that’s what RILEY MOORE hints in his newest single “gold.” The whole track drips with vulnerability, from the gentle acoustic guitar texture to the yearning harmonica. The lyrics paint someone who yearns to be reshaped, smelt into something beautiful and valued, no matter how painful. After all, isn’t it a sign of love how readily you can accept someone else’s thoughts into your feelings and let them shape you? Couldn’t love be alchemy, turning hearts into gold? Moore’s warmhearted voice seems to hope so, spilling over with tenderness that is perhaps as undeserved as it is pure. The love bubbling under every syllable nudges up a wonderful thought to the surface. Maybe love is being tenaciously open to heartbreak, even when it is happening to you as you sing. Photo by Lauren Lundy.