As we’re continuing the strife to uncover a new “normal,” we can’t help but settle in the uncertainty that these past few years have left us floating within. So much has happened and so much has changed all from behind the confines of the four walls that we call home. For the moments when the sky feels like it's falling and you need someplace to plant your feet, the San Diego-raised artist Jelani Aryeh offers his latest drop, “From These Heights."

Uniquely its own entity, "From These Heights" both separates itself from modern music and sows new roots for the music of the future in a quick 3-minute go. Aryeh reorients early 2000s indie rock to suit our time of need. Featuring existential lyricism and that good ole’ stripped-down garage band sound, this gem channels the energy of music in the past to invoke worldwide change for the future.

Aryeh began crafting this track during the pandemic, at the height of civil unrest, sharing on his Instagram: “I made this song with Alex Craig of Slaters last May...George Floyd had just been murdered, and the riots were just starting to take place. It felt like there was so much chaos + uncertainty in the air and it seemed like everywhere you’d turn there was something threatening your livelihood. It was like everyone was trapped in a box of mayhem with no exit. I know that's still the case for a lot of you and many others around the globe.  At the least, I hope this song can ease your feelings and give you somewhere to settle yourself. Even if that’s for 3 minutes.” 

The young Black and Filipino artist has been making wide strides in the industry since 2018, with his track "Daunt" catching fire in the hearts and ears of alternative indie lovers. Aryeh is a trailblazing creative, never ceasing to hone his craft or personal growth, both of which evolve with each new release. “From These Heights '' is the third single from his forthcoming debut album I’ve Got Some Living To Do and merely a preview of the young artist’s musical dexterity and effortless ability to transform hearts and minds. See for yourself. Photo by Zamar Velez.

I Know I Know said, “You know what 2020 needs? A good ol’ 2014-style breakup banger,” and then delivered exactly that with their latest single, “Talk." It’s got an infectious syncopated pulse that tugs your body out to the dance floor. True, that dance floor is your room with a Bluetooth speaker hopping across your desk, but it doesn’t matter. Coiled tight, under stress, it was only a matter of time until you exploded somehow. The intense kick drum shakes apart any thoughts, leaving only feelings in their place—and feelings, you can deal with. Feelings, you can drown. They don’t stand a chance against the electronic effects and noise. Melting into movement for yourself and absolutely no one else feels cathartic, in a rabidly selfish way. The moment is yours, and you refuse to share it. You are wrapped in yourself completely, and it feels good. Once you lose your breath, there’s just enough space cleared in your brain to think about someone else. You consider yourself in context, exploring your actions from multiple perspectives. Yours. Theirs. Not all the angles are pretty, but they’re not all ugly either. It might be too little too late, but you finally got there. That should count for something, you think, even if it doesn’t. "Talk" ends with an unspoken question dangling off the edge of the track. It’s an eternal question, as terrifying as judgement day: “If I call you, will you answer?”

Em Beihold dances on the line between wrong and right in her new dark-pop single, “Painful Truth.” Her vocal dexterity bounces between wispy falsetto and full voice, while the production around her alternates from a booming bass line to minimalistic accompaniment. All at once, listeners can feel the depth of addiction paired with contrasting overtones of lust and desire — the feeling of “need” that transcends all consequences. Em Beihold frequently showcases her talents on TikTok, with breathtaking acoustic cover songs. The thoughtful production quality of “Painful Truth” speaks to Beihold’s artistic integrity. Her voice resonates in this song with the same honesty of a live performance or social media cover video, which is not an easy task for most recording artists. Be sure to follow Em Beihold on TikTok, and remain on the lookout for future releases. She is an artist on the rise and can be compared to a young Halsey. Her songwriting is mature beyond her years.

Canadian-born singer Love Mansuy's “Saturday” ushers you in with a laugh for an easy tune that alleviates some pressure, giving you permission to unwind. This gem from side B of his new EP, (món-swee), features a spacey guitar riff in tandem with a melodic bassline for a sound more indie rock-leaning than his previous R&B releases. While Mansuy is New Jersey-bred, “Saturday" calls to mind a weekend afternoon on the deck at my parents’ old house in Virginia, a sweet whiskey lemonade, fresh-cut watermelon and a few rounds of Durak with childhood friends. There’s something intimate about the nature of Mansuy’s carefree tone that's “bringing back a feeling I can taste,” evoking nostalgia for things that haven’t even happened. While parts of life may be “a ticking time bomb,” he invites you to take a seat with your feet hanging out the back of a truck and exist in the moment, even if that moment is simply enjoying "fries and a shake.” Photo by Sam Balaban.

Indie electro-pop singer-songwriter Laney Lynx is known for her infectious energy both on- and offstage, as well as her gift for writing acutely honest lyrics and addictive melodies. In each of her releases, she is able to hone in on a complex but universal emotion or experience, and put it not only into words but also to music — music that is often cathartic, and always inspiring. In “Venting,” Lynx addresses the feeling that arises when emotions are kept bottled up — when wires are crossed and buttons are pushed — and the explosive need to let it all out. Despite the tension expressed in the lyrics, the song sparkles with kindness and empathy, along with the underlying desire to make peace. 

Produced and mixed by Lucas Hass, and mastered by Torna, “Venting” features Tony Greco on guitar and Kyle Miles on bass, showcasing the unstoppable sound of collaboration between New York-based artists. The glittering instrumental synth is suppressed during the verses, before picking up and building to a colorful burst alongside Lynx’s vocals during the chorus. While the sentiment is that it will get worse before it gets better, and that the only way out is through, the delivery couldn’t be sweeter — and Lynx’s pristine voice is the spoonful of sugar that helps the medicine go down.

After receiving praise for his 2019 EP Since You Asked and his 2020 debut album Podium, Norwegian indie folk artist Kefeider returns with the poetic and poignant single "The Island." Having been written almost two years ago, "The Island" has taken new meaning this year after experiencing a sense of hopelessness during the pandemic. It is a feeling that too many of us now know too well. There is a beautiful simplicity to the melody, as Kefeider's voice delicately dances above. "The island within your eyes / Will soon be out of sight 
/ Don't mind what others say 
/ Help is underway." This melancholic tune touches deep within the wounds of this year, yet it also provides a sweet note and desire for better days ahead. Photo by Eskil Bast.

Australian singer/songwriter Riley Pearce delivers an authentic ballad for the everyday dreamer on “Electricity," an affecting track that explores the uncertainties of the future. Pearce perfectly wraps this subject in the delicacy of an acoustic guitar and profound, mellow vocal production. Sentiments about pursuing a dream tend to be melancholic as the value of tribulations seem to outweigh the possibility of success. We inevitably question, “Will it all work out?” It may or it may not, but for Pearce, that doesn't matter. The track begins in a cynical tone, but it ends optimistically. “One day things will go our way / Maybe we can build ourselves a home / Oh, I want to be all that you need me to be / Someone who sparks your electricity.” It’s a simple reminder that a journey is sometimes meant to be bleak, but treading it with someone else makes it worthwhile. Photo by Al Parkinson.

Brooklyn-based indie pop duo CLAVVS are back with “Heyi,” an hypnotic exaltation that recharges the spirit at its very core. Comprised of singer-songwriter Amber Renee and Grammy-winning producer and multi-instrumentalist Graham Marsh, their union has joined a singular, alternative path in pop music that they walk alongside the likes of Glass Animals, giving digitized production a human touch. The tune’s organic qualities are fluid and life-giving, a visceral energy traveling like lightning through your bones to force movement. Balanced with introspective lyrics on reaching for an old, better feeling, Renee’s hook persists, “Bring it back /  Bring it back to me / Sing it back / Sing it back to me,” a righteous chant over claps and bouncing synths to culminate in a catharsis that only pop music can bring. Photo by Lissyelle Laricchia.

"clockWise" is a striking single, mysterious both in its feel and its creator. There’s very little that's easy to find out about thomTide other than the unquestionable — as an artist he is channeling some deeply creative and original textures and songs. His three previous releases are all less than 100 seconds, offering only a taste of what his musical world could be. Across these releases, thomTide brings up a diverse cast of comparisons for me: hints of Moses Sumney’s longing and grandiosity; using his falsetto as an instrument in ways that channel 645AR; and an undeniable swagger that feels like that of Brittany Howard. “clockWise” is an earned next step, an evolution in sound that still keeps the mystery alive. A driving kick forces a dark guitar riff onward, as he delivers poetic thoughts on growing and time. Just like the song’s energy, there is no stopping life from moving forward. Yet, rather than fall victim to its unrelenting momentum, thomTide takes it in stride, recontextualizing it as a motivation and reminder to “love and fail while we may.” Around halfway through, the song expands outwards, those lead vocals reaching for something more. In the final thirty seconds, drums are traded for a chorus of voices, creating a hauntingly beautiful moment. This is a performance that proves thomTide is not messing around, the mysterious figure capable of so much incredible artistry in under two minutes. We'll certainly be tuned in for what's to come. thomTide's hand-painted sweater is by Ryan Sadler and Spencer Lee. Photo by Ahmed Owda.

Brooklyn-based EXNATIONS return with their newest post-quarantine single, “Twin Flame,” and with it, enter into the solidly dance-pop realm. Vocalist Sal shared that with their prior release, “Love in the Time of Quarantine,” they were working to capture reality; now, so far into the pandemic-ridden year, “Twin Flame” channels more of an escape, and with lush production and evocative lyrics that transport the listener on a mental vacation, they definitely hit their mark. Weaving in the same energetic elements that make standout Young the Giant and Walk the Moon tracks great, as well as just a touch of more electronic acts like Hot Chip (big props to drummer Taylor here for these impossible-not-to-bop-to grooves), “Twin Flame” warms the listener up with a brilliantly catchy bass line and kicks off running, the chorus hitting like a celebration daydream. While temperatures drop and the country settles in for an even more isolated holiday season, transportive tracks like “Twin Flame” will keep that warmth of hope alive in our chests. Like the band’s slogan goes, “It’s sad, but we’re still dancing”; and we are, thanks to a perfect EXNATIONS track for every stage of this wild and wacky year. Photo by Adele Sakey.