Indie singer/songwriter Gatlin has a knack for producing engaging and palatable pop tunes with lyrics that shoot to kill. Don't let the sparkle and shine of these glimmering melodies fool you: Gatlin's poetry packs a punch. Her most recent single "What If I Love You" is a glistening summer pop song. Singable, fun and painfully relatable, "What If I Love You" expresses so much unruffled sincerity that you almost forget you're listening to a song that isn't asking you to take it too seriously. But this is something I've always admired about Gatlin's songwriting; it's sneaky in a good way, with her talent for lacing delicate, emotional vulnerability into these colorful, dancy tracks. Perhaps the tone of this track is so bouncy to contrast the speaker's resolve over their unrequited feelings. The music is what's keeping her buoyant amidst the turbulence of her feelings. Regardless of whether or not the juxtaposition was intentional, it resonates. Give Gatlin's new single "What If I Love You" a listen and I promise it'll be spinning 'round your head all day long. Photo by Hannah Gray Hall.

We're all stressed and overwhelmed with life, and if there’s anything we learned during the isolation of the pandemic, it’s that being alone and forced to face yourself leads to anxious thoughts and a heightened need to create. The latest song from the Brooklyn-based duo Fake Dad captures both that anxiety for the future and craving for it all at once through delicate sonic layers.

As the song starts, you first hear from a child’s voice talking about wanting to be supernova. It’s an all-too-relatable childlike desire to be remembered and seen, like a “really really big star up in space.” Andrea de Varona then descends in with soulful lyrics that sing not only to that desire but the anxiety that comes along with it. Almost somberly, the lyrics highlight the fear that any accomplishment will be followed by losing oneself or the spark that started it all: “I listen and hope to hear / How to make it and keep from breaking everything I make.” Simple, wispy and emotional, Fake Dad creates the perfect song for a slow morning or a late night. Photo by Lady Gleep.

“Smartest Man” is an indie rock anthem of existential proportions. It is the second release from Homeschool, the solo project of Tom D’Agustino, formerly the lead singer of Active Bird Community. Over layered guitars and loose drums, D’Agustino sparks complex thoughts through deceptively simple phrases, like how and why we make the decisions we do in life. If one choice has the power to change not only our world but the worlds of those we love, why don’t we do things differently at certain times? (“No matter what you do / It’s like the whole world / Is doing it too”). With this magnitude at our fingertips, it’s amazing we don’t recklessly seize every day by doing the wildest things just to feel alive, for which D’Agustino has some ideas: “I wanna go diving / Or get struck by lightning / So I can feel the current in my hands." Yet so often we find ourselves stuck in patterns or monotony we can’t break, away from those we love. Featured after the first chorus, Samia laments on this idea: “Mom asked me / Can you come back home / I said I wonder whether that’s a question." Her vocals nestle perfectly into the pensive track before she and D’Agustine unite for one final towering chorus that will leave you wanting to climb the nearest mountain while calling your grandparents. And maybe by the time you hike back down, you’ll remember you’re always one choice away from changing your life. Photo by CJ Harvey.

"Stardust Scattering" opens heralded with drums that come closer and closer until they settle underneath gentle rhythm guitar and fade into a background pulse. It sounds like a summer rainstorm, percussive taps on roofs and window panes turning into song as the stream of raindrops becomes steadier and heavier. Valerie June’s voice layers on itself in ethereal harmonies, like a cool breeze bringing in momentary relief from August heat. Twinkling keys drop in like raindrops in a puddle. Swelling brass begins to ebb and flow like thunder, rolling close then far again. The track sits somewhere between sorrow and euphoria, with the lyrics delicately touching loss as often as buoyant optimism. Joy is nestled among grief, like stars in the middle of the desert: shining, hopeful and also so far away. It’s a beautiful addition to Valerie June's latest album, The Moon and Stars: Prescriptions for Dreamers, out now via Fantasy Records. Photo by Lelanie Foster.

“The Right Thing Is Hard To Do,” the latest offering from New York-based, indie-rock group Lightning Bug, is a sprawling tune full of warm and honest moments. From the start, the track feels bigger than the confines of a pair of speakers. The towering guitars and singer Audrey Kang’s tender yet confident vocals bring the country-adjacent track to Grand Canyon proportions. Within these confident vocals, Kang is calling for fundamental change within the world she sees, “The right thing is hard to do / When you’ve got so much to lose / Still in fear, it’s hard to move / When you’ve got so much to prove / Doubt / Ebbs and flows / Well, I’ll let it flow,” questioning whether we really ever know if the right thing is being done. 

“The Right Thing Is Hard To Do” is the lead single from Lightning Bug’s upcoming album, A Color Of The Sky, out 6/25 on Fat Possum. Photo by Ingmar Chen.

The funniest part about putting in work to improve oneself is that you rarely notice the fruits of your labor until someone else points it out. Those small steps that have to be taken every day to reach a goal are invisible to the outside world, but once that change is made more evident, it can be startling to look at just how much has altered in the process. Jesse Gold’s newest single, “R.I.P.,” is a slinky pop-leaning statement piece about the musician taking pride in how far he’s come, both as an artist and a person. His smooth tenor is a fitting match to the bouncy synths and funky bassline that accompany him, and the earworm melody that serves as the track’s centerpiece belies a natural pop sensibility. The confidence and comfortability that Jesse has cultivated are apparent in his delivery throughout, and that extra degree of assuredness acts as an effective reinforcement of the track’s core message: if you believe in yourself and put in the time, the end result will always be something you can take pride in. Jesse's debut EP, Stupid Hours, is being released on May 7. Photo by Arman Saturday.

It's rise-and-shine with Chloe Berry's charming new single “Breakfast.” The twenty-year-old NYC artist cooks up a delightful bedroom pop treat filled with bright guitar strums, syncopated drum beats and hazy vocals à la Frankie Cosmos, Clairo or beabadoobee. “Breakfast” serves as a single for her upcoming EP, Blueberry Jams and makes for an endearing and easy listen—but much like Berry's music, it also packs a good punch. The song, while structurally simple, also manages to be quite unpredictable. The combination of retro background vocals in the style of 50s pop, its swift rhythm changes and overall low-fi textures makes the whole track shine and come alive.

Berry now records with her partner and producer Sam Poon (aka Spoonuel) but says she’s been making music since she was seven years old—and it shows. She’s a gifted songwriter and has the kind of sharp, smokey voice that can easily translate beautifully on stage. As an upcoming artist, Chloe Berry is one to definitely look out for. Photo by Sam Graff.