On the tongue-in-cheek “Sad4Good,” Llusion breaks up the monotony of quarantine with help from Cautious Clay and HXNS. Glitchy and eccentric production bring elegance to the bedroom pop tune, crafting the perfect foundation for distorted vocals to state simply, "We're all alone, all alone anyway" and "I wanna be sad for good." I, like many of you, first found joy in not having to put pants on every day; however, as we enter week "who knows?" of our new normal, I'm facing some underlying anxieties as I find myself waking up anywhere from 8 am to 2 pm, never knowing what day of the week it is, questioning how many of the societal structures in life are real. In Llusion's world, if life has become nothing but refried beans and feeling trapped within four walls, it begs the question, what's left to lose? Llusion's irreverent approach to existential ennui over a bouncy beat offers a much-needed two minutes of relief from what feels like a dark age, and there's some ironic peace to accepting that "if everything hurts, then it couldn't get worse.”

Ruth B. rehashes old heartache on “Dirty Nikes,” a melancholy R&B single that longs for what once was. It’s a special sort of longing to be homesick for a person, and Ruth B. captures it beautifully, reminiscing on late night talks, aimless drives and promises made in the quiet spaces in between. Minimalist in its production, the track focuses on highlighting her haunting vocals, for which she initially went viral on Vine. “It makes me sick that I'm still singing 'bout you,” she whines; no matter how long it’s been, sometimes all it takes is one pair of dirty Nikes to know that you’ll never fully forget.

—

taco bell is taking shredded chicken
off the menu and it’s got me thinking

about the backseat of your car
at 4 am, first kisses and ghost stories;

about white orchids dipped in gold, 
stepped-on toes slow dancing;

about allen stone and chamomile tea,
about strep bacteria festering in a twin-sized bed.

i wonder if a new girl, some pretty blonde 
sits across the table, eating the tomatoes from your salad.

Divino Niño sure can whip up a tune. The Chicago, Illinois indie rockers' latest, “Made Up My Mind,” is John Cusack with a boombox outside your window. A heartbroken ballad pleading for a second chance at love and life. Though the track stays stylistically close to home for the band, the addition of a small brass section featuring Sen Morimoto and Whitney’s Will Miller brings a new depth instrumentally that has you hearing something new with each listen. Lyrically, the song takes on a lovesick feel as the singer serenades, “I made up my mind (forever wanna be by your side) / I just had to give life a chance / To come and show me what it could be / If I messed up fucked up everything we got.” Is this a topic we have heard before? Yes. But will we get sick of Divino Niño songs about this? Probably not. Their bilingual approach, swirling synths and infectious harmonies create an instant feeling of warmth and nostalgia that lets the listener place themselves within every track, and “Made Up My Mind” is no different. Photo by Alexa Viscius.

There is a certain wildness and movement in “Material Life” that could awaken dusty bones. The eclectic release by indie-rock duo Lightning Dust, comprised of Amber Webber and Josh Wells, is a commentary on the need for more. There is always this desire in us for something deeper, something more valuable to dig into, giving us the feeling that we cannot and will not belong, that perhaps there is more for us that we have not yet been greeted by. The track begins with a steadiness, and at its midpoint slows down to say, “I’m in a world I don’t belong,” creating relevance within itself to the nature of being.

Angel Olsen’s “(New Love) Cassette” is a gorgeous rumination on the feelings one experiences when starting a new relationship. Her haunting, emotive vocals, drenched in reverb, convey longing in the midst of limerence. “I’m gonna show you love all of the time / Gonna be your breath when you’re out of life / Love / Free / Take / Me,” she sings earnestly. The simple arrangement—the version on the album Whole New Mess is stripped back guitar/voice vs. the lush, full version featured on 2019’s All Mirrors—is striking and heartbreakingly honest. This song is the perfect balance of bittersweet and nostalgic—a tune for anyone missing the dreamy and unraveling emotions that come with falling in love with someone new. Listen wherever you stream. Photo by Kylie Coutts.

Boston-based singer-songwriter Anjimile reckons with ways their demons have caused hurt to a lover on “Baby No More," a modernized bossa nova tune more harmoniously balanced than the relationship itself. "Scary / What I done and might do," they open, a fragile moment of self-awareness, yet inability to stop themselves from doing more damage. Referring to themselves as "King Heartbreaker," their lightly rasped vocals send a simple message, the only fitting end for a doomed relationship: "I can’t be your baby no more."

For the greater part of 2019, I found myself in the thick of it. Drinking heavily more nights than not and equally as addicted to an emotionally abusive relationship, my sense of self was all but torn to shreds. Much like Anjimile, "I quite literally felt like I was losing my mind, vis-à-vis alcoholism," though it was my close friends whom I hurt the most. While the fresh, upbeat nature of "Baby No More" contrasts some of the darker lyrics, for me, the levity mimics the relief that comes with detaching yourself where you need to; it's that second of clarity, seeking help and coming out better for it. Anjimile's debut record Giver Taker, which will delve further into mental health struggles and coming out as transgender, is due out September 18 via Father/Daughter Records.

Arcade Fire’s Will Butler has released the second single off his upcoming solo record, Generations. “Close My Eyes” grapples with the pain and hopelessness that fuel desire for a revolution. This soul-inspired, synth-y cruiser may sound lively, but Butler is shedding some warm lamplight on the reality of racism and collective trauma, and insinuates his need to stay in the backseat as a white male. The line “I’ve got to dance to keep from crying,” nails this sentiment. The chorus is a much needed release, with stacked harmonies to match the upswing. 

Butler’s jangly ballad digs into some Motown and also nods at early 2000’s indie-pop. These inspirations, as we know, generate a heart-swell that Butler knew was important to lend—leaving the listener feeling heavy with the reminder of today’s realities, but also appreciative of what we have to get us through. The rest of Generations drops on September 25, where more of these themes are sure to emerge. Photo by Will Butler.

girl in red's new single "rue" is a haunting, emotional track, obviously inspired by the HBO show Euphoria both sonically and lyrically. From the start, the pounding drums and reverb-drenched instrumentals recall the dark nights and neon dreamscapes depicted in the series. The lyrics describe a relationship in which her mental health issues have made things hard on her partner, taking a toll on the relationship—similar to the dynamic between Rue and Jules shown in Euphoria. She describes crippling depression in the lines, "I hate the way my brain is wired / Can't trust my mind, it's such a liar / Believe me when I say / I can't carry the weight." Despite her struggles, though, it becomes obvious throughout the song that she wants desperately to save the relationship, repeating "I will make it work" in the bridge like a mantra, almost as if her saying it enough times will make it come true. "rue" is an emotionally impactful, atmospheric track with a booming, catchy chorus that will not be leaving your mind anytime soon. Listen to "rue" wherever you stream. Photo by Isak Jenssen.