“If you love something, let it go. If it comes back to you, it’s yours; if it doesn’t, it never was” is a saying so common, it’s in danger of losing its urgency.  In her new single, however, Bedouine reopens and pours salt into the old adage. Over the last four months, Bedouine has slowly, deliberately put out tracks from her upcoming album, Birdsong of a Killjoy—“One More Time” is her fourth and latest release. Stripped-down acoustics open the song and are quickly overlaid by her elegant, nostalgic vocals. The track is an exploration, weighing the power of having a partner against that of doing it alone and an air of loneliness echoes the whole way through. Bedouine’s poignant lyrics consider the ways that being with someone can hold you back. In one verse, she is a cage and her lover the bird trapped inside; in the next, she is the shore and her lover the waves washing her away. The music reflects that characters she creates, containing both the lightness of a bird and the calming rhythm of the waves in its melody. Bedouine's celestial voice takes center stage and, at the climax of "One More Time," a symphony of strings swells to meet her. Her distinct brand of folk is drifting, billowing, and tender in this track. It feels as though Bedouine is learning something about herself over the course of the song and, luckily, she is gracious enough to share the lesson with us.

Steve Marino’s breezy single “Six Two Four” is an ode to good times and carefree summer nights. Lo-fi drums and reverberating guitars open the track, immediately emanating familiar feelings of intimacy and warmth. The arrangement is tender and hopeful; close your eyes and you might feel like you’re sitting around a fire pit with your closest friends, swaying along to Marino’s soft, easy vocals and losing yourself in the gorgeous melody. The lines “Everyone’s Here / Everyone’s Out” repeat throughout the song, making for an easy sing-along and emphasizing what’s at the heart of the lyrics and the mood: a celebration of friendship. “Six Two Four” is easy listening at its finest—it’s from Marino’s debut solo album, Fluff, which is flush with cozy songs about noticing and appreciating the people and places that make you feel like you’re home.

Tei Shi's sound may best be described as evocative, Latina indie-pop and her newest track "A Kiss Goodbye" delivers that same tone. Her exceptional recipe of R&B beats and buttery smooth vocalization makes her one of the most unique and listenable artists in her genre right now. Tei Shi transcends a rare soft yet authoritative voice in her lyricism, having a near-angelic affectation while claiming she "doesn't need a kiss goodbye" or any sort of outward approval. The blend of velvet and brash makes this new tune a stand out for the summer. Listen to this track while soaking in the sun or chilling on the porch. It's an ethereal kind of listening experience, which can be said of most of her discography. Much gentler than the majority of her punchy pop tracks, "A Kiss Goodbye" is somehow jazzy, flush and powerful all at once.

After two years of silence following the release of her sophomore album, I’m Not Your Man, English artist Marika Hackman is finally back with a new single that reminds us of all the reasons we love her. “i’m not where you are” proves Hackman to be both a master of her own sound and unafraid to experiment with new styles. The new track is full of contradictions: it opens with bright, popping synths only to be toned down by Hackman’s classic jaded vocals; the lyrics pivot between self-pitying and arrogant; and the beat makes retro fresh. The long-awaited release refuses to be categorized as just a melancholy, crooning murmur or a spiteful revenge anthem. Instead, Hackman experiences a nuanced range of emotions over the course of the song—self-doubt, indignation, regret—and the music peaks and sinks with her. 80s-esque guitar swells around her voice as she delivers her title message, which is a refusal to trust someone’s emotions if she can’t get to their same headspace. “i’m not where you are” is Hackman’s first teaser to her third full-length album, Any Human Friend, set to release on August 9th via Sub Pop. Hackman is clearly not done making us wait but at least we have this lush single to get us through the summer.

Riveting punches of hollow percussion and warped, loosely jointed guitar riffs burn off the low-fi fog of previous releases as Clairo seeks clarity through internal contemplation on her latest single, "Bags." With a kind of lyrical sleight of hand, Clairo weighs fantasy with reality, her own inner emotional turmoil spilling over in lines—every second counts / I don't wanna talk to you anymore / all these little games / you can call me by the name I gave you / yesterday." Lyrical symptoms of a non-committal lover live lines away from moments that depict the warm glow of contentment, and the reality of the dynamic remains unclear in the same way that Clairo’s voice remains unaffected. "Bags" takes Clairo out of the realm of bedroom pop and into the living room, finding a sense of ease and blossoming maturity in the sheen of her newly expanded sound.

AURORA is back with her chimerical and soothing vibes in “The River,” her third single this year. The 22-year-old Norwegian singer has been introducing the new era of her music in bits ahead of A Different Kind of Human, the second half of her two-part album project. The first part of the project was Infections of a Different Kind, an EP that came out in 2018. “The River” is the second to last single, and it continues the trend of songs directly linked to nature while talking about sensations that are intrinsically human. The track tackles themes of sadness, solitude, and desperation while remembering that our tears are made of the same elements that construct rivers and rains. “The River” reminds us that life comes in flows and calls us to not forget who we are and what our souls are made of—all while maintaining the sonic spirit of a cavernous river, somewhat characteristic of AURORA's sound. A Different Kind of Human comes out Friday, June 7th.