Del Water Gap's brand new single is due to have you make that call you can't stop thinking about making. After all, what better time to make uncomfortable calls than when you know you and the person you're calling won't have to be in the same room the next day? Singing of a relationship that came like a hurricane and left leaving nothing but wreckage on its way out, Brooklyn-based songwriter Holden Jaffe's description of human contact will leave you yearning for everything other people have ever made you feel. "Ode to a Conversation Stuck in Your Throat" is exactly what the title say it is: an ode to words left unsaid and people you can't let go of. Even though the beat is great for a bedroom dance party, a song this poignant should be not be streamed lightly during these trying times of social distancing.

Australian producer Kito enlists Lorely Rodriguez—better known as Empress Of—for the adventurous new single "Wild Girl." "It's not a secret, my heart's weakness / Is a half-smile touch, casually call you love / When your hand is enough, casually say it's love," Rodriguez trills into the airy lead-up to a club drop, but the muted bass has Kito exercising restraint in an otherwise pulsing beat. Though the track is easily danceable, being a "Wild Girl" isn't about kissing strangers on a crazy night out—rather, it illustrates being so consumed by a love that you rage like a wildfire, desperate for someone to "Gather me from one place or another." The genre-bending and subversive team of Kito and Empress Of is a match made in heaven, artfully exposing intense vulnerability through the most club-ready of songs, adding a fresh new touch to dance music tropes. The single is only a taste of the exciting collaborations and eccentric sounds of Kito's soon-to-come solo LP.

Imagine you’re in a cabin in the woods, cozy by the fire while a snowstorm rages on outside. The light is low, the atmosphere is intimate, and you’re overcome by a sense of longing you can’t quite place. This is the vibe conjured up by Loving’s new single “Only She Knows,” a lo-fi, psychedelic dream that’s as pleasing as the crackle of an old but reliable record player. The track is reminiscent of a slightly darker Whitney, with soft, wispy vocals and heavy reverb that gives the classical piano an almost ghostly presence. Dreamy synths and strangely seductive guitar lines make for a lush, hypnotic soundscape you can get lost in, while the crisp production makes apparent Loving’s appreciation for analog equipment. Nostalgic and lovely, “Only She Knows” is the perfect song for cold weather or a rainy day.

Hana Vu wanders further into her bedroom-pop world both sonically and physically with her newest single, “Outside.” The track opens with dreamy synths before the guitar and Vu’s vocals chime in simultaneously as she sings, “And I really wanna wake up / but there’s nothing to wake up to.” The plucked guitar riff perfectly balances out Vu’s droning and smooth voice with her unique throaty tone. She breaks from the calmness and almost reaches anger as she belts the second chorus for emphasis. The structure of the song is simple; she repeats the chorus and pre-chorus twice with a single-lined bridge thrown in the middle for good measure. This repetition further cements the monotony of loneliness the 19-year-old indie-pop artist is demonstrating. That being said, the track itself is never monotonous—finding interests in small swells and layered synths. It’s cyclical like depression and loneliness. Sometimes it’s hard to get out of bed. Sometimes it’s easier just to look at your phone all day. “Outside” is the latest single from Vu’s upcoming double EP Nicole Kidman / Anne Hathaway out on October 25.

The silvery vocals of Tei Shi and the iconic production style of Blood Orange bless recently released track "Even If It Hurts." The two artists, known as Valerie Teicher and Devonte Hynes respectively, previously worked together on "Hope" off Hynes' album Negro Swan. Now they've teamed up again on this starry-eyed synth song that implores for communication and honesty. Although the track is smooth and easy on the ears, wrapped up in the lyrics are two people trying to identify what the other wants from their ambiguous relationship. Desire permeates the vocals, both parties are willing to risk it all to have the other person wholly, but there's something stopping them from letting go. We might yearn and even love another person, but at the precipice of a relationship, growth requires action. "Even If It Hurts" explores what feels to be common ground in many relationships through something that straddles the line of melancholy and bliss. Look out for Teicher's new album La Linda out November 15 and Hynes' classical LP Fields due this October.

London artist beabadoobee pays homage to Pavement’s frontman with her new single “I Wish I Was Stephen Malkmus.” The inspiration doesn’t stop with the name drop, seeping into the production with buzzy guitar tones. The song takes eighteen-year-old Bea Kristi a little further from the bedroom pop label she gained through her first two EPs, launching her into the realm of therapeutic alt-rock. It’s harder, hazier, and proves that Gen Z is just as obsessed with the 90s as Millenials are. Kristi sings, “I sit at home, cry to Pavement / I wish I was Stephen Malkmus.” As much as it is a nod to the 90s, it also touches on Kristi’s affinity for change and individuality—which can be isolating, but she doesn’t seem too upset about it. She mentions her blue hair six times in four minutes, singing, “got new hair, a new phase / I’m from outer space / and I’m pretty sure I’ll get used to it.” Beabadoobee will release her new EP Space Cadet on October 18 via Dirty Hit Records.

Y La Bamba, a Portland-based band led by Luz Elena Mendoza, exemplifies yet again their prowess as a multi-faceted group on their latest EP Entre Los Dos. Mendoza actively explored identity on their full-length album Mujeres earlier this year and is now delving deeper into existing between two entities and all the nuances that follow. "Las Platicas" off the new EP begins with an airy guitar riff that quickly morphs into lo-fi folk loaded with energetic vocals and a tone of a reclaiming of self. Mendoza spares no time for negative talk in her life and holds strong against those with nothing positive to bring to the table. Y La Bamba's narrative journey continues to show rapid growth—exploring different sounds and sentiments in less than one year. They wrap up their tour this October so make sure to catch them while you can!

Float through space and time in the dark daydream that is “Otherworld,” the hypnotic debut single from LA-based indie artist INSDR. Immediate and atmospheric, the track is a nostalgic slow jam with soft, pulsing momentum. It opens on a quiet inquisition: “What planet are you from?” Then muffled, pumping percussion and spacey keys set the scene and evoke a certain sense of mystery as the questions continue. “Are you on a mission? / Are you made of light?” The vocals are hushed and sweet, giving the string of questions a sense of alien innocence and wonderment. Suddenly, like INDSR, we feel like we too must pay close attention to figure this person out. As the instrumentation builds, the arrangement remains close and clear with a distant sort of urgency, like staying in the moment with this person is all that matters. Elements of sci-fi and psychedelia are weaved tastefully throughout the song, with groovy, Radiohead-like guitar and sonic elements that give a nod to 90s electronica. Ultimately, “Otherworld” speaks for itself: you’ve never heard anything like it before. It’s the first single from an upcoming EP by INSDR, the solo project of Sure Sure band member Charlie Glick. Glick and fellow bandmate Mike Coleman are mixing the EP, set to be released later this year.