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Daft Punk - Derezzed
Daft Punk - Derezzed

Blast From The Past Daft Punk - Derezzed


Of all the songs in the Daft Punk catalogue, I know it definitely seems odd that I'd choose to talk about "Derezzed," the hyper-energetic electronica hit from their acclaimed score for Tron: LegacyDaft Punk is known for their pop anthem stand-outs like "Get Lucky" and "Starboy," and these songs continue to thrill music enthusiasts and jazzercise moms alike. The quality of their music is exhibited in their longevity. And if evergreen beats were ever a thing, I'd say they're best represented in Daft Punk's Tron album. 

"Derezzed" is obviously cinematic, punchy and fun. It perfectly encapsulates the sci-fi, action thriller nature of the film while being an absolute banger on its own. What I love about this song, and their decision to make a children's movie score in the height of their musical popularity, is the pure counterculture of it. The decision to continually choose projects that excited them instead of projects they "ought to pursue" made them a more groundbreaking and "rock-n-roll" band than most of their peers. It's for this reason that you can't help but respect Daft Punk's decision to step away from the industry. They pursued their craft and their genre when electronica and house music were mostly considered taboo and inaccessible. They brought house beats to the radio and made the world fall in love with them, all while being true to their original vision. They've proven they're a band worth watching, even though they've been mostly dormant for the last 8 years.

Seeing Daft Punk hang their helmets for good is a hard loss, but they've left us an incredible body of work that'll be worth returning to again and again. I recommend listening to all of Daft Punk's Tron: Legacy album on a night drive. "Derezzed" arrives about halfway through the album, and it's completely immersive and an absolute blast. Photo by Chad Batka.

Hannah Lupas on March 3, 2021
KALI - Back to the Start

KALI - Back to the Start


KALI’s debut single, “Back to the Start,” is a fearless and joyful ode to the pull, the power, the hold the right one can have on you, and the momentary bliss of a freefall in love. What begins with a somber instrumental and muted monologue quickly explodes into an upbeat guitar riff that primes the track for KALI’s sweet but strong vocals to come in. Each time we hear the refrain, “It hurts too bad to live in the past, but you keep pulling me back to the start,” the same upbeat guitar riff, along with a thin layer of lush strings, washes away all resistance, all reluctance, and we find ourselves, too, being pulled back in. The song’s music video, directed by Sophia Ziskin and Zealand Yancy, is a cinematic and captivating homage to the free spirit of youth — KALI skips and runs through fields and rides in the car with her friends, through tunnels and over the Golden Gate Bridge, smiling, laughing, head out the window, hair blowing in the wind. Once you’ve seen her smile, you can’t help but hear it in the song. KALI is an artist to watch if there ever was one. Photo by Sophia Ziskin.

Maya Bouvier-Lyons on November 23, 2020
All Things Blue - Lully

All Things Blue - Lully


All Things Blue was born in Los Angeles to the unburdened artistry of India Coombs, with help from her co-writer/producer, Jon Joseph. This year, they’ve released a kaleidoscope of alternative, post-genre singles in anticipation of their debut album, Get Bit. Though fearlessly awake, “Lully” is the perfect title for the psychedelic surrender that is their latest single, a deadpan ode to environmental catastrophe. Its opening lyrics don’t beat around any burning bushes. “Overgrow the apples, we’ll watch them turn to waste / Pack them full of chemicals, we love the taste.”

In a jazz-driven, groovy whisper, she continues to riddle truths about our potential agricultural future that few American artists have dared to touch. For a cynical generation that functions under distant shadows of those in power, a recurring choral sentiment like “It doesn’t matter anymore,” can be eerily inspiring, at least as a proclamation of urgent self-care. “Lully” asks its listeners to protect their inner peace as they continue to endeavor to subvert the blockaded systems in control of our agriculture.

Daphne Ellis on November 23, 2020
There's Talk - A Slow Return

There's Talk - A Slow Return


“A Slow Return” is out ahead of Oakland-based There’s Talk’s third EP Great Falls, expected December 18; it’s a meditative, spellbinding audio journey through the psyche of singer/songwriter Olivia Lee, who pulls from her identity as a queer woman of Chinese heritage. You have to really listen to pick out individual lyrics, but spellbinding synths and lofty guitars create a sensory experience. Listening to “A Slow Return” feels like entering a fugue state, a velvet fog from which you may never want to return.

Corinne Osnos on November 23, 2020
Halo Kitsch - Do You Feel Like A Sinner Yet?

Halo Kitsch - Do You Feel Like A Sinner Yet?


LA's Halo Kitsch presents a heartbreaking serenade about mixing up love and trauma with "Do You Feel Like a Sinner Yet?" Guilt, loss and PTSD are translated easily into the slow march of acoustic guitar, the rhythmic snapping and the quiet whistling. The song feels like a prayer for forgiveness delivered in a now-empty room that was once filled with hope, even if illuminated by gaslight. 24-year-old Katrina Kerns is not new to breakup songs or writing about being hurt by old lovers. What gives the new single a special place on her repertoire might be the feeling of a fresh wound that comes from the realization that the memories you thought you missed were just mutual harm, observed, first through pink, and now through grieving glasses. "Do You Feel Like a Sinner Yet?" is the fifth track from the singer-songwriter, who started sharing her truth this year and is only getting started.

Giulia Santana on November 23, 2020
347aidan - Dancing in My Room

347aidan - Dancing in My Room


I love this one, it’s the perfect bedroom pop-ish type of song. Aidan is one of the most passionate artists I’ve spoken to and this is def a hit! — Claire Rosinkranz

Follow Claire Rosinkranz on Instagram so you can stay up to date on her latest releases. And make sure you check out her music video for the newer version of "Backyard Boy" with Jeremy Zucker.

Alessandra Rincon on November 20, 2020
Ice Cube - It Was A Good Day

Ice Cube - It Was A Good Day


This is another bop/throwback for the car. I vibe out to this one pretty hard :) — Claire Rosinkranz

California native Claire Rosinkranz brings classical work ethic to alt-pop song-scapes in her 2020 EP BeVerly Hills BoYfRiEnd. At 16, Claire says the discipline and work ethic she learned from years of classical ballet training turned into a passion to be the best at everything she does — including making music.

Alessandra Rincon on November 20, 2020
Emilee Emiko - Quiet

Emilee Emiko - Quiet


"Quiet" by Emilee Emiko is a cool and reassuring drink of water in a chronic anxiety-driven dry spell. The track opens with a mellow grove and dreamy harmonies that sound like a pastel, upbeat Phoebe Bridgers. Relentlessly buoyant and easygoing, Emiko’s voice flows through verses about embracing your own agency through acknowledging what’s outside of your control. After all, if everything’s in your control, the next logical stop is that everything is in some way your fault. (Spoilers, it’s not.) You don’t exist in vacuum; you’re influenced by your circumstances and sometimes you can influence them right back. Sometimes not. Or, as Emiko eloquently sings, “If the world’s gone mad, well so have I / I put up a good fight.” It’s not a resigned sigh of defeat — the upbeat percussion, major harmonies and cheerful picked arpeggiations definitely say otherwise. It’s more like an acknowledgement that in order to adapt to unusual circumstances, you’ll probably react a bit unusually. It’s not indicative of how you’d behave under normal circumstances; that speculation is like comparing oranges and bananas. Instead, it’s healthier to slow down a bit and yield control to where you are. Take some time to process where you are, honestly. You can figure out where you have agency to move somewhere after, but it’s always worth taking a moment to get your mind quiet first. You might even find a piece of peace in it. Photo by Elsa Oluja.

Allison Hill on November 20, 2020
Felix Räuber - Colors

Felix Räuber - Colors


German singer-songwriter Felix Räuber exposes love’s intrusive side in his latest single, “Colors.” Minimalist, droning and orchestral, the track builds an echo chamber for pining verses and a chorus that gives full authority to the speaker’s love interest. “You even control the colors in my head,” he sighs in disdain, “You even control the choirs in my head.” Räuber surrenders his own sense of presence for a distant light projection. The genius here lies in the song’s tonality — ironically gray and chromatically chilled. Overall, it is a moment of silence for romance turned sour, interrupted by noise in the spirit of unrequited love’s persistent voice. Photo by Madlen Krippendorf

Daphne Ellis on November 20, 2020
Kishi Bashi - Penny Rabbit and Summer Bear

Kishi Bashi - Penny Rabbit and Summer Bear


Today we are announcing In The Mix, our new collaboration with Desert Door Texas Sotol, supporting the music and food industries that have been devastated by the pandemic. In The Mix pairs artist-curated playlists, free merchandise and a discounted Desert Door cocktail with the purchase of a special restaurant creation from select partnering restaurants in Atlanta, Boulder and Nashville on December 7-14.

In Georgia our In The Mix artist is Athens-based singer-songwriter Kishi Bashi. He helped inspire the special dish from Atlanta's Talat Market — Thai-style sautéed bay scallop and persimmon warm salad, complemented by a Desert Door cocktail with Ancho Reyes Verde Chile, fresh pineapple and lime juice and agave.

Listening to Kishi Bashi is comparable to floating through the most golden day that ever existed in the landscape of your favorite childhood storybook. “Penny Rabbit and Summer Bear” is a light and gleeful representation of the whimsical sound that Kishi Bashi is known for. With the delicate plucking of acoustic guitar accompanied by a soft stream of glimmering chimes, this track infiltrates the monotony of the day and creates within it a glimpse into a more pure, more courageous existence. This sentiment reigns true over all of Kaoru Ishibashi's musical inventions; there is a certain pureness and clandestine invitation into goodness surrounding his growing body of work. Photo by Rachael Renee Levasseur.

Laney Esper on November 19, 2020
Becca Mancari - Bad Feeling

Becca Mancari - Bad Feeling


Today we are announcing In The Mix, our new collaboration with Desert Door Texas Sotol, supporting the music and food industries that have been devastated by the pandemic. In The Mix pairs artist-curated playlists, free merchandise and a discounted Desert Door cocktail with the purchase of a special restaurant creation from select partnering restaurants in Atlanta, Boulder and Nashville on December 7-14.

Nashville's In The Mix artist is indie singer-songwriter Becca Mancari. Nashville staple Butcher & Bee has put together a special dish inspired by Mancari's complex songwriting and Americana influence — charred octopus with fermented pepper sauce, broccoli rabe, charred citrus and a delicate blanket of country ham. Paired with the meal is a special Desert Door cocktail, the Mexican Queen, with blood orange juice, orange zest, ginger beer and lime.

On "Bad Feeling," Becca Mancari's voice rings like a church bell, pure and clear and hanging in the air. “With your hands around my throat and I say baby, please, don’t” — she places each word carefully, as if it may break, but the music isn’t dramatic or intimidating. She has a bad feeling, but she doesn’t sound surprised. If anything, the music sounds laid-back, like a breeze streaming in the windows on a warm spring day. It’s soft-rock but in an intentionally sweet way. The nonchalant flavor is a stark contrast to the harsh lyrics: “Isn’t it hard when you see me for the first time and it breaks your heart?” After the second verse we enter what seems to be a bridge, but it’s really just the song deteriorating into voices, phrases, pieces of guitar and drums and bass harmonics echoing into the ether. Photo by Zac Farro.

Mikhal Weiner on November 19, 2020

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