Certain performers possess a kind of earnest delivery — one that meets our ears in a deeply harmonious manner and allows us to better understand both the world and ourselves. Portland musician, Katherine Paul aka Black Belt Eagle Scout is one of those artists, and her debut album, Mother of My Children belongs to that rare breed. The record is a reflection of self/identity, loss, and what it means to belong to a place and a people whose face has been tainted over time. What does it mean to grow up within a group that so genially protects Mother Earth, when society has inflicted so much harm onto it? How do you identify as a member of this community when you too are constantly evolving? 

The third single off the album, “Indians Never Die,” probes these kinds of questions. Paul transforms anguish into something powerfully eternal. When she cries out, “Do you ever notice what’s around you? / When it’s all there, in the wake of you,” she is declaring the immortality of her people. Even though her ancestors don’t physically live forever, the customs and teachings they passed down are boundless. “Indians Never Die” works to reshape the way many of us think of heritage, identity, and human connection. The track is anchored by one ceaselessly repeated phrase, “wastin’ away.” It is through the unfeigned repetition of these two words that we can begin to understand why Indians never die.

MARMALAKES, an Austin-based rock-pop duo that infuses folky influences are “really nice guys” (Sonicbids). And their music is really nice, too. “New Sweden," a single off of their full-length debut album Please Don’t Stop, is just a taste of what’s to come. Childhood friends Chase Weinacht (guitarist/writer) and Josh Halpern (drummer/producer) are able to capture the youthful energy of that time and make those nostalgic feelings warm, welcoming and close. And their local ties to Austin make those emotions even more palpable. “New Sweden” sounds like a homecoming of sorts, even though they’re poised to journey far and wide. Keep an eye out for Please Don’t Stop, out May 11 via Austin Town Records.

We like Benjamin Lazar Davis. Quite simply, he makes good music. "Right Direction," the next release off of his debut solo album, is another introspective piece. Written from the point of view of a friend that has "trouble finding a life-long passion" and "desires to work hard but doesn't have an outlet for all that pent up energy," David and Kimbra Johnson create a narrative that's honest and vulnerable. If you've ever felt lost in where you're going, what you're doing, or in what the future will hold, this piece is a reminder that we all go through these moments of uncertainty. And again, Davis reminds us that all will be okay. 

Boasting a sound that harkens back to classic American songwriters, Minnesota-based Andy Cook arrives with a 22 minute, echo-drenched, desert rock odyssey entitled, Modern Man. His jangly accompaniment and chilly baritone make an appealing listen off the bat, and the compelling nature of his music deepens as he begins to lyrically scratch the hard-won truths of our hyper-digital age. While the twang is certainly turned up to 10, Cook grounds his compositions with a keen sense of dark and direct lyrics, conjuring up Timber Timbre, Real Estate and even Kurt Vile at times. It is expansive and idiosyncratic, heady and earthy, all at once. The perfect pick-me-up for the unofficial day-tripping desert hipster.

The second single, “Torches”  from Half Waif’s upcoming release, Lavender, bares the fiery angst we are forced to face when feeling the searing energy found in the world. “‘Torches' opens with the terror of a world that burns, tempered by the cool reminder of an undying coast somewhere nearby,” Nandi Rose Plunkett says of the song. The song was written days after the 2016 election, while driving through Texas on a stretch of highway, and it is not surprising that the underlying fear of how society will be affected by an entire country’s decision manifested itself through a blaring synth-pop track. “Torches” glows with spirit, using triumphant melodies that could be found in majestic quest games, reminding us that even though “the landscape burns,” there is crisp balance that can be found everywhere.

British trio Our Girl recently released a self-titled single that scores points in spunk, quality and relevance. In a world addressing the "Me Too" and "Time's Up" movements, this song seems to be the simple reminder to all women: "Don't be so kind" if it means sacrificing your own comfortability. In a plea for honesty and openness, ("I'm fine, are you okay?/ You promised to tell me how you were") "Our Girl" seems to be written for those of us who would rather not vocalize how we actually feel. While making it sound easy, Our Girl mixes both big rock and roll vibes and a tough theme to make a song that voices frustration. Nevertheless, it ends in a somber and gentle way, making us remember that sometimes these conversations occur in the quiet moments, away from the campaigns and the headlines, with the comfort of a friend who will listen.

"Absent" is the kind of song you'd hope to find in your favorite indie movie. This single by Fox Academy came out last month in preparation for their new album. The band consists of Michael Todd Berland and Christian Novelli and they released an album just last April called Saint Molly that you can find wherever music is sold. "Absent" sits in a beautiful place that is both absent-minded and fully self-aware all at the same time. And while it's full of juxtaposed thoughts ("Possibly live again/ Mad at the wind again.") and ("I'm not here/I'm not there") somehow it makes complete sense, in a way only a song can convey. Opening with gentle guitar picking and layered vocals, the warm texture of the song is felt from the very beginning and carries through the rest of it. While I can't pinpoint exactly where "Absent" takes you to, I do know it's a place you'll want to stay and rest a while.

With a sound hearkening back to the 90s alternative-rock of yesteryear, “Afterglow” is the latest single released in advance of The Lonely Biscuits’ debut album The Universe In You. Polished off by Nick Bockrath of Cage the Elephant, it is no surprise the song stays true to the genre with a simple bass, electric guitar and drum kit, topped by Grady Wenrich’s gritty tenor. Together they’ve created this ode to that moment when you crush too hard and they choose the other guy. With lines like “I guess I didn’t think you’d lead me on, I guess I read it wrong, I’m stupid. / He isn’t funny, he can’t write songs,” they keep the vibe light and energetic making this a great summer jam for all those who can’t seem to find a love that sticks around. The Universe In You is set to be released March 30.

A few weeks ago, Canadian singer-songwriter Haley Blais released "Small Foreign Faction," a single that is so well-crafted both musically and lyrically that it'll definitely put this new artist on your radar. It's a beautiful and intriguing ode to what happens when you take a reflective and honest look at who you are and what you're doing. "I never wanted anything / And I never got it," Haley repeats in the chorus. While these words are sung with ease, we can't help but wonder how Haley feels about these epiphanies. The song evolves musically, starting off with just Haley's voice, an electric guitar and a faint hi-hat, and then slowly builds up a to full band enveloped by synths and harmonies that are so in the pocket. Mixed with both light and heavy thoughts and motifs, Haley makes us realize that it's more than just okay to be exactly where you are right now, and so while "Small Foreign Faction" is a song about Haley, it easily seems like it could be about you or me. 

Swedish-based Greta and Raimond come together for the creative endeavor DUETS AND STUFF, to make indie "music, art, video and so on" (as stated on their Facebook). Their debut single, "Serve Somebody" is sweet and pop-y without being overly saccharine. It's easy, breezy and light, giving just the right amount of brightness to get our senses tingling. If this song is any indication of what's to come, we'll definitely be keeping an eye out for this new Swedish duo.

We're into Helena Deland. So when she released her most recent track, "Take it All", we took a listen without a moment's notice. Darker than her previous productions, Deland gets broody on "Take it All". Minimal, yet haunting beats draw out the mercurial and unforeseeable nature of love. Deland questions how much we give when we fall, and in turn, how much the other person takes. "It isn't easy / it isn't easy," she repeats, her voice descending unpredictably as she comes to these realizations. With such a wide range of talent in just two songs, we're itching to hear more.