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Big Thief - Change
Big Thief - Change

Big Thief - Change


Change is a difficult thing to embrace, as likely to rattle existence like a disaster as something divine. At times it’s hard to look at change as anything but a Grim Reaper, sweeping away everything that is known and comfortable and loved. Other times, change and its inevitability seems like a powerful crusader of hope and liberation. Big Thief’s latest single unconditionally embraces all of change’s faces—the beautiful and the grotesque—and attempts to forge a kinder relationship with all of them. The song’s arrangement is sparse and intimate, like a living room jam session full of friends and loved ones. A shaker and acoustic guitar establish the song’s pulse as steady and slow, like a resting heart rate just as you’re falling asleep. Natural imagery weaves with metaphor among the lyrics, delivered with a sense of gentleness and hope that burns bright like a candle. It chases out any sense of fear and the darkness that comes with it. Change, and the liberation it offers, is asked for so deeply and so intensely that it comes out sounding like a prayer. In offering, the void of whatever was held before remains empty. In its place begins the construction of a new home for peace, where you hope that it will someday soon come home to roost. That its warm and feathered body will nestle in your breast and your heart will know lightness once more. For now, that space among your ribs may stand empty and bruised, but nothing can stand against change. Might as well embrace it, and learn to love it too. Photo by Alexa Viscius.

Allison Hill on October 13, 2021
rincs - Or Is It Just You

rincs - Or Is It Just You


rincs are the L.A.-based duo of Rebecca Ramirez and Bjorn Winberg. Their music is incisive and eccentric, with the occasional punkiness of Ramirez’s vocals casting a moody shadow over their poetic lyrics. rincs value brevity and melody. As with “Or Is It Just You,” their songs tend to burn fast and bright before fizzling out at just the right moment. They’ve said all they need to and delivered their message with singable indie-pop sentiment. “Or Is It Just You,” their most recent single, conveys the jarring realization that everyone lives within their own distinct reality — what looks upside down to one person may look completely normal to another. Sometimes it’s a realization full of possibility, and sometimes it’s a terrifying one. This song mostly deals with that second feeling, creating a slow buildup of disorientation enhanced by cyclical guitar riffs. There’s also some quirky instrumentation — the thumb-piano solo that drives this track towards the final chorus is one of several reasons it's well worth a listen.

Siena Ballotta Garman on September 18, 2020
See Thru Hands - Hot City

See Thru Hands - Hot City


Oddly prescient lyrics and red hot vibe as well. An apocalyptic déjà vu in the club. Punk-funk from Manchester grafters See Thru Hands. It's catchy as hell, so danceable and alludes to the end times we're living in with an accuracy you'd call "on the nose" if it hadn't come out [last year]. — Alex Cameron

Alex Cameron is a gifted storyteller; he crafts colorful cinematic narratives that explore themes like masculinity, sex, guilt and failure, while mixing Springsteen-like nostalgia with self-aware kitsch.

Alejandro Veciana on September 17, 2020
GRAE - Permanent Maniac

GRAE - Permanent Maniac


One of the most delightful parts of music is how easily it facilitates connections between people. Striking up a conversation with someone else at a show, swapping CDs with friends, even tuning into a livestream with a thousand strangers — music has a talent for bringing people together. That’s before even getting into the songs that make you feel seen. Understood. Even loved. "Permanent Maniac" is a dreamy exploration of that infatuation with the first artist that made you really feel. The lyrics flow like a diary entry, full of affection that is simultaneously naïve, intense and genuine: “I have him close to me, since I met him on the radio.” The thing is, it’s not quite a fantasy. Sharing music, even between artist and fan, is an emotionally intimate experience. As someone who’s been on both sides, it’s kind of beautiful the way that another person can let a piece of art so close to your heart burrow so deep and close to their own. The fact that people you don’t know will let your songs slip into their ears, take up space and coil itself around memories that you barely had a hand in creating? It’s beautiful. It’s a sense of sharing so intimate and organic, it almost makes boundaries feel blurry. GRAE’s track pirouettes on that boundary, floating above bouncing bass, buoyed by innocent harmonies. “And he’ll never, never know." It’s not a bitter declaration. It's respecting the relationship for what it is — a message in a bottle tossed out to sea. If it suffers abuse in its journey, it’s a bitter feeling when it shatters. But when that mutual connection is respected as the delicate, transient offering it is? It sparkles. Photo by Lizzie O'Donnell.

Allison Hill on September 17, 2020
Brijean - Moody

Brijean - Moody


Summer is over but fear not, Brijean’s latest single, the appropriately titled “Moody,” will have you swimming in a warm, electronic groove so smooth and cool, you’re gonna want to jump right in again. Even if you are not familiar with Brijean Murphy, you’ve heard her beats before. The Oakland-based musician is the highly-coveted percussionist behind artists like Toro y Moi, Poolside and U.S. Girls among others. In her latest musical project Brijean however, Murphy collaborates with producer, bassist and composer Doug Stuart. Together they mix a chill blend of conga and vintage electronic rhythms tinged with shades of house and synth-pop. Topped with a soft, bossa nova-like vocals, “Moody” makes for a very easy listen but its layered production of percussions, bass and synth is so addictive that, if you're not careful, the track will have you reach out for your second or even your third caipirinha. Listen responsibly. Photo by Jack Bool.

Alejandro Veciana on September 17, 2020
LOMELI - Prayer Beat

LOMELI - Prayer Beat


"Prayer Beat" by LOMELI is a slow-burning slice of a vibration born out of some heartfelt, emotive pangs only an artist entangled in a messy love affair with melody and soul could make. The sheer longing in the vocal is enough to make the same face Jay-Z made when Timbaland pressed play on the final "Dirt Off Your Shoulder" beat. Yet, it's the unwavering, tasteful production built on several of the prettiest harmonies this era of neo-soul has offered the world. Now, where's the IDM edit?

It only took three minutes for a few of the golden leaves to gently annex themselves from the towering oak tree outside of the girl with the view of the park's window. She counted the leaves nevertheless. She even had a laugh over the viral video of a man counting numbers, then regained her composure as this was serious business, counting the number of leaves and all. Autumn was her favorite season, after all. It had been the hottest summer in the planet's history, and the fall felt as calm and crisp on her skin and mood as a freshly cracked open frozen can of soda pop. She could only count a few leaves before they stopped falling, some humorously reluctant to detach from the wood and the bark. When she stopped counting the leaves, her senses alerted her to the sound melting into her studio apartment's walls and floor. It reminded her of days at the lake with him, walks through the park with him, nights watching movies with him, runs up the mountains with him, dawns in the kitchen with him, drives from airports with him and dusks in the dark with him. She caught herself swaying to the song before the vocals came in. Once they did, she started to saunter her way towards the speakers. She caressed them with her palms. She put them together to mutter a silent prayer for more lazy evenings like these to give her more than enough solace to last her a billion lifetimes. That was when he knocked on her door and startled her so much she jumped into the air, face flushed red. She had to grab the corner of her desk to restore her balance before she walked towards the door to open it, to find him there on one knee. They married that fall and were a family of three by the next summer.

Mustafa Abubaker on September 17, 2020
Deep Sea Diver (feat. Sharon Van Etten) - Impossible Weight

Deep Sea Diver (feat. Sharon Van Etten) - Impossible Weight


I’m sitting here listening to a ghost rise from my speakers while my body responds physically to the familiar sound of distortion pedals; with every whine of guitar, an old tremor of hormonal angst climbs up the ribcage to my heart while my arms slowly and rigidly begin crossing themselves. Before I know it, 15-year-old me is huffing and puffing at the door, and she’s back with a vengeance. I spent my teens like a lot of isolated kids do, scribbling in my journal, rolling my eyes at anything that moved and crushing on boys and girls who looked straight through me. The only method of keeping the unpalatable world at bay was the pair of headphones secured tightly around my ears blasting the Yeah Yeah Yeahs, BRMC and The Killers on heavy rotation. That is to say, in a time before kids my age had any sense of self beyond malaise and wretchedness, we had early 2000s indie. 

“Impossible Weight,” the title track off of Deep Sea Diver’s forthcoming October album, embodies that era. It’s The White Stripes meets Sleater-Kinney, meets a cool glass of water with a cruel and jagged lip, meets a hole I want to crawl into headfirst, partly because of nostalgia, and partly because I'm so glad you can still find it somewhere. Frontwoman Jessica Dobson’s vocals prick like needles alongside the jaunty four-on-the-floor drumline. They dance through the verses, pushing the sound up and out towards the epic. A meek wail of guitar is layered in and around the chorus right before Our Lady Sharon Van Etten enters, her steady rich voice ringing out and grounding us against the bouncing instrumentals. The two singers move together in harmony before the music strips down once more, this time to only Van Etten’s low murmur—then the layers build back up again into a thunderous bridge. There’s something about the way that she draws out the last vowel in the line, “So I’ll just let you down now,” that creeps me out and electrifies me at the same time. Kind of like looking back at how formative music from a certain timeframe can be to a generation, how it accompanied us during that period and therefore shaped us as well. Yes, it’s true time (and therapy) heals all, but that doesn’t mean I didn’t run to preorder the LP from my local record shop immediately after listening. Photo by Matt Wignall.

Shasha Léonard on September 16, 2020
Sleaford Mods - Second

Sleaford Mods - Second


There's not a wasted line here. Each word threads in. It's a tight fit and warrants listening to over and over. There's something new each time. I've been watching these guys live on the festival circuit for years, and they terrify me more and more each time. Incredible. — Alex Cameron

On the surface, Alex Cameron’s songwriting may seem audacious or comical, but behind his flawed male characters in songs like “Happy Ending,” “Candy May” or “Stepdad” there is an honest vulnerability. In these characters, Cameron balances redemption, romance, and the underappreciated beauty of failure.

Alejandro Veciana on September 16, 2020
Mysie - Bones

Mysie - Bones


Fresh off of her Ivor Novello rising star award, Mysie has released her second song of 2020, “Bones.” It’s an intricate piece with Mysie’s crisp yet smooth vocals at the forefront. Starting with her low and rich vocals, she sings, “I never would have said that I get phased / but now I’m enraged.” It feels contained at the beginning before opening up at the chorus. The track is held down by steady but intricate instrumentals—leaning heavily into the bass, which highlights the deep smoothness and intrinsic rhythm of Mysie’s voice. “Bones” shows off her wide variety of influences from R&B and jazz to pop and indie and gives us a small taste of the greatness that is yet to come from Mysie. Based in South London, she is currently working on her first album. Photo by Chio Fernández.

Corey Bates on September 16, 2020
Ian Sweet - Dumb Driver

Ian Sweet - Dumb Driver


"Dumb Driver," the newest track by IAN SWEET (a.k.a. Jilian Medford) opens with a confession. “I’m a dumb driver when I’m in love,” her voice echoes, surrounded by ambient-y sounds and cavernous reverb. The band joins in as Medford goes deeper into the whirlpool that is love. A straightforward rock 'n' roll groove on the drums, a slightly distorted guitar and a simple bass work together to keep the verses self-contained, but just barely. Once Medford sings, “I want to stop, I want to,” the music swells and the tide covers us all with the impossible-to-ignore urges that come with infatuation, love, attraction. We’ve all been there, and we’re more than happy to go with Medford into this quirky, extraterrestrial experience of losing ourselves. Photo by Alexa Viscius.

Mikhal Weiner on September 16, 2020
Mr. Muthafuckin' eXquire - Black Mirror

Mr. Muthafuckin' eXquire - Black Mirror


I love this track. The lyricism is brilliant and the production is cool to the point of inebriation. The lens moves from black masculinity to slave plantation ultraviolence to wistful reflection, to anywhere it need go and back. I've been walking around Brooklyn playing it again and again. Fantastic. — Alex Cameron

A crucial part of Alex Cameron’s sound comes from Cameron’s long-time collaborator Roy Molloy who, fun fact, is not just a hero on the alto sax. Molloy once jumped off the rocks to save a drowning boy in Rockaway Beach in 2018. “Sax practice and keepin the beach safe are not mutually exclusive,” Molloy tweeted about the incident.

Alejandro Veciana on September 15, 2020

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