“Witches” from Alice Phoebe Lou is magical. Boldly incessant synth cascades over every word, hypnotizing and enticing. This song weds the cosmic and the terrestrial as Lou’s entrancing vocals cast spells, proclaiming “I'm one of those witches, babe / I'm one of those witches, babe / Just don't try to save me, 'cause / I don't wanna be saved." Listen as this track pulls you in and out of a lovely dream, and makes your body sway in that “golden way." When the things that make us worry are far beyond our control, songs like these are a wonderful gift. We can surrender for a moment to kindly hypnotic music like “Witches” and be at ease.

LA indie rockers Gardens & Villa have released the dreamy, atmospheric single “Rosie.” An early collaboration with the late Richard Swift, the lo-fi jam is like a psychedelic walk through nature. Nostalgic guitar tones, spacey synths, and a wispy flute are vivid additions to the arrangement, which is lush with colorful, mystical sounds and imagery, and is perfectly suited to the season. Soothing, washed-out vocals and a faint, cozy piano add depth and darkness, while the lyrics serve to further immerse you in the folk-rock track’s catchy, swaying beat: “Midsummer night's / Dreamy eyes of a fool / When I’m drinking with you again.” Mysterious and warm, “Rosie” is a feel-good track for cloudier days.

King Princess craves commitment and certainty with her partner on "Ain't Together," the latest in a string of singles preceding her debut album, Cheap Queen. A listless sense of longing permeates the song as King Princess, aka Mikaela Straus, finds herself stuck with someone who will say "I love you," yet deny to others that they're in a relationship. Self-consciously, she ponders, "Do you think labels make it taste much better?" desperate to sound nonchalant. "Baby you ain't gotta worry about nothing," Straus assures her partner, though it's clear that it's herself she needs to convince. With a breezy choir humming casual "Ah's" and "Do-do-do's" throughout the track, you almost start to believe she's comfortable in the in-between, until she admits, "Oh it kills / I ain't chill at all, at all." The song features a drumbeat from Father John Misty that's as effortlessly compelling as her hazy, psychedelic rock guitar. Alongside previous rock-driven single "Prophet," "Ain't Together" has Straus traversing genre without losing her delightfully unique melancholy-tinged pop essence. Cheap Queen is due out on October 25, marking the first full-length album to be released on Mark Ronson's Zelig Records.

Timeless and emotional, “Short and Sweet” is an entrancing acoustic ballad from Brittany Howard’s debut solo album, Jaime. The stripped arrangement, inspired by blues and old soul, is soft and intimate, like walking peacefully into a dream. Singing with just a guitar and a wash of white noise, the track finds Howard, the lead singer and guitarist of Alabama Shakes, at her most vulnerable. Channeling the likes of Billie Holiday and Nina Simone,Howard’s vocals are close, raw, and so gorgeous. The lo-fi production emphasizes the track’s timeless feel, giving Howard’s voice a velvety, hypnotic sort of appeal. The lyrics, much like the song title, are simple and powerful, and Howard’s easy croon makes them feel effortless. “I may be a fool to dream of you,” she sings, “But god it feels so good to dream at all.” “Short and Sweet” proves that the queen of modern soul does quiet just as well.

"Don't you know that all my dreams come true when I'm walkin' down the street with you?" Corinne Bailey Rae's dreamy revamp of Tom Waits' "Jersey Girl" is made of the same stuff Old Hollywood love was built on. The British soul singer is part of the upcoming Come On Up To The House: Women Sing Waits, a Tom Waits cover album featuring names like Aimee Mann, Phoebe Bridgers and The Wild Reeds. For her part, Bailey Rae picked the 1980 hit that was on Waits' Heartattack And Vine album. In an interview, she explained that she loves how the song expresses so clearly "the rush of first love" and "the thrill of finding the one in a crowd of many.” The song, which was already memorable to those of us who have been in love with our own Jersey girl, gains a new life with Bailey Rae's sweet and captivating voice and allows a whole new set of feelings to settle in the hearts of the listeners. After all, "Nothin' else matters in this whole wide world, when you're in love with a jersey girl." Come On Up To The House: Women Sing Waits comes out on November 22.

Today, Brooklyn-based indie duo Painted On premieres their second single, “Passed Forward.” The melancholy song is somewhat of a more austere ballad in comparison to the band’s first release, “Fall,” which creeps through an electronic ascension of slow, ambient percussion. In “Passed Forward,” Painted On’s comprising members Hillary Capps and Anthony Farina explore their signature cinematic crescendos alongside something folksier and more stripped down. Sounding not entirely unlike Of Monsters and Men’s 2012 sensation “Little Talks,” Capps and Farina find a vocal meeting place amid layered echoes and exultant chants with the refrain’s grounding hook: “You’re my home.”