Adeline Hotel has a way of putting you at ease. Living on the axis of psych-rock and indie folk, the music is loose and calming, but also entirely intentional. On “Trace,” a track from the upcoming album, Solid Love, Dan Knishkowy leads the project with the strength of his songwriting, telling a tale of transition that is equally driven by moments of love and connection as it is by total unknowing. The band, headed by Knishkowy and joined by guitarist, Ben Seretan, bassist Andrew Stocker, pianist Winston Cook-Wilson (Office Culture), drummer Sean Mullins (Wilder Maker), vocalists Brigid Mae Power & Matt Kivel, and a host of others, come together to blend their unique songwriting practices. As Knishkowy puts it, “Five people with loud playing personalities, playing as quietly as possible,” each musician creating their own moments of tenderness, trusting themselves and the process. Because of this, “Trace” is a slow-building wave and at it’s crest lies a beautifully jagged ending jam. The recipe of musical ambiguity, intimacy and clear warmth earns Adeline Hotel a sound that serves reflection as well as much needed sighs of relief.

Frankie Cosmos are back and vibrant as ever as they tease the release of their fourth record with a glittering new single. "Wannago" tells the story of two distant lovers through rose-colored harmonies and sugary lyrics. "It's been forever but it's whatever / I'm here for you and I would never forget you" sings lead singer Greta Kline, who said she once "found some of the lyrics embarrassing," but later "accepted the cheesier lyrics as part of the youthful glow of the song." The track captures the serendipitous joy of two humans "with eyes and ears / and dreams and science and love and fears" connecting in an absurd world, being driven apart by life, but earnestly finding their ways back. Fans have bassist Alex Bailey to thank for pushing the band to finish the older tune, and the result showcases the band's collaborative synergy. Close It Quietly will be released on September 6 via Sub Pop Records.

Born in the suburb of Oshawa, Ontario, Dizzy is the indie dream-pop band composed of brothers Charlie, Alex, and Mackenzie Spencer and their frontwoman Katie Munshaw. “Twist” is the follow up to their debut album Baby Teeth—the single is a breezy heartbreaker that you won’t know whether to dance or cry to. The band members describe Dizzy as a means to cope with small-town monotony. However, “Twist” is a testament to how far the group has come since their suburbia beginnings. The track is atmospheric and swirling, grounded in a rhythmic, smacking drum loop. Small, incremental movements in the vocals and sweeping synths add a glittering texture to the song's bass-heavy foundation. Dreamy elements are weaved throughout via Munshaw’s serene but sincere voice, delicate, twinkling piano, and an entrancing guitar solo. “Twist” navigates the post-break-up, with lyrics like “I beat myself up for feeling let down” showing Munshaw grapple with wanting to see someone while chastising herself for the impulse. The chorus swells around Munshaw’s voice as she sings the tragic lines, “there’s a hole that’s inside of my chest in the place of a heart in the shape of your fist” and as the band grieves, we all feel the pang of our past heartbreaks. “Twist” is the lead single off the Heavy/Twist EP, which will have to hold you over while Dizzy works on their next record.

Big Thief’s music has always had an unearthly, ethereal texture to it and the band’s newest single “Not”, the first offering from their forthcoming, fourth record Two Hands, is no exception. The track is an examination of what is bigger than all of us and a look at what people often fail to appreciate. Lead singer Adrianne Lenker makes a heartfelt delivery with her poetically haunting words, “It's not the energy reeling / Nor the lines in your face / Nor the clouds on the ceiling / Nor the clouds in space.” The conviction in her voice and the cruising, confident production further relay the central verdict of the song. The Brooklyn four-piece make existential ideas more easily digestible and appealing to explore. They send a message of clarity—suggesting that we all take a moment to breathe and focus on the bigger picture amidst all the chaos of this world. Two Hands is officially out October 11 via 4AD.

Pensive and soulful, Yianna's latest, "If I Never Left" joins both "Heavy Waters" and "Hard Pill To Swallow" as her latest single before the heavily anticipated release of her debut EP. With a hopeful and emotional tone, this introspective track looks back at how the experience of a broken and unhealthy relationship can build one into an even stronger person than before. The titular lyrics "If I never left / I would be a different person than I am today" certainly evoke a feeling of triumph from a familiar pain. Powerful vocals and writing take this track to the next level and its R&B undertones make for a smooth sound that certainly has us excited for her next release.

Bedroom pop phenom Clairo blossoms into a refined, yet unflinchingly sincere songwriter on her debut album Immunity, released August 2 via FADER label. With "Softly," Clairo gives queer girls an outlet to dance around their bedrooms full of youthful infatuation. It captures the subtlety of a soft brush of fingers and stolen glances in the early stages of an innocent crush without the pressure of labels on a relationship or sexuality. Wistful lyrics over a lax, off-rhythm guitar melody improvised by Rostam further the song's whimsical energy. "I got this feeling / Telling me girl, I gotta know," she croons in a way that young queer girls can look up to, while also tugging at the heartstrings of older queer girls who felt confused and repressed. As a children's choir echos "I don't care what they say" in the background, Clairo asserts that she's exploring her sexuality on her own terms; she's "doing it differently," and although some look down upon queer love, this blissful feeling is the only thing that matters.